A cast of unknown performers are used in this drama about child soldiers fighting a war in an unnamed African country.
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The Age of Commercialism
Memorable, crazy movie
Disappointment for a huge fan!
This is a must-see and one of the best documentaries - and films - of this year.
I didn't really know what "Johnny Mad Dog" was going to be about, but I'm really into obscure foreign films as they usually become little gems. Still, with not much about this on IMDb and little being known about this film I was going to give it a miss on Film4. However, when I heard my favourite critic, Chris Tookey saying that he loved it I had to give it a chance because often anything he loves, I love. However, this is one of the few films we will have to remain indifferent on."Johnny Mad Dog" follows a group of child soldiers in Liberia 'fighting for freedom' by murdering and raping innocent families and even children. I found it all quite upsetting actually and it really is not a fun watch. Don't get me wrong I like a gut-wrenching, hard hitting film as much as the next person, maybe even more so, but I prefer it when a bit of plot is thrown in. For me "Johnny Mad Dog" was simply horrible people doing horrible things. There is a nice sub-plot with the little girl regarding her father and brother which follows her journey which is interesting. She's the only character you could feel sympathy for, but her story was pushed to the side for the child soldiers.There isn't anyone to like and after a while it becomes repetitious and dull. I suppose this is its point, that horrible things and unacceptable things are happening in third-world countries now and something needs to be done. It reminded me of "Full Metal Jacket" in a way (which I also only gave two stars) in that it shows the horrors of war through realism. There are a few scenes that are actually quite gripping and well written, but most of them are just repetitive and boring."Johnny Mad Dog" was quite beautifully shot, especially when it juxtaposed the raw hand-held close-ups in the war scenes with still ones, like with the boy in the wedding dress at the beginning. It's also quite interesting when these heartless child soldiers show some compassion and I really did like the ending. I did feel moved after watching it, but I can't help but think with a clear narrative that this could've been something of a masterpiece.My opinion was that I was bored through a lot of it. It's not nice to watch and I would not watch it again, but it is something that I won't forget. Still, films can be extremely hard-hitting yet grip you at the same time with a strong narrative e.g. "Schindler's List" is a film I am anticipating to see again and it showed images probably more-so horrific than this. "Johnny Mad Dog" is a thought-provoking piece and it was effective in the way that they used first-time actors, but it wasn't for me.
Along with Full Metal Jacket (1987), Apocalypse Now (1979), Paths of Glory (1957) and others, this film joins that august group of anti-war films which attempts to provide a realistic glimpse into the chaos of war.Using documentary-style filming and editing techniques, the story centers upon a small group of boy soldiers who we first see brutally murder and rape some villagers; then they attack a TV station, killing and raping as they go; and finally they launch a major assault, with their larger army, upon a medium sized town where they once again go on a killing spree.Finally, with their objectives achieved, General Never Die (Joseph Duo) disbands the army, tells the boy soldiers that it's all over, so now "Go and do something else." While there is a large cast of first time actors playing the roles of the boy murderers, the story focuses upon Johnny Mad Dog (Christopher Minie) as the boss of the small group, and Laokole (Daisy Victoria Vandy) a young girl who is trying to save her wounded father and her brother, Fofo (Onismus Kamoh).During the hectic fighting scenes in the final assault, Johnny and Laokole (grimly holding onto her small brother) accidentally meet on a staircase in a deserted building. He stops, gun ready, but instead of interrogating her and perhaps killing her, they gaze at each other until one of his grunts calls Johnny back onto the street. Grudgingly, reluctantly, he goes back to his killing machines Later, towards the end, the two meet again under different circumstances and we see the full irony of the effects of war upon individuals: but we are left in a state of uncertainty about the outcome of that meeting, much like we might feel after reading a news story about the real wars in Africa with real boy soldiers that still continue – even as I write and you read.There are short moments of gallows humor with a live pig; for the most part, however, there is just unrelenting killing, raping, and slaughtering of innocents and, implicitly, the death of hope. So, it's not a film for those who cannot watch the worst of human depravity during war.Technically, the production cannot be faulted. The direction is superb, garnering performances from newcomers that must be seen to fully appreciate. The camera work fits the situation of quasi-documentary. The sounds of war are realistic and actually remind me of sounds I've heard recently in the current slaughter of civilians in Syria.Highly recommended, but not for kids, obviously.March 11, 2012.
Covering the same territory as BLOOD DIAMOND this couldn't be further away from Hollywood's treatment of child soldiers. However, although sentimental and following the classical Hollywood patterns, BLOOD DIAMOND does have its merits. I'd also compare this with SAVING PRIVATE RYAN because there's a similar visceral realism, on a budget which was probably one percent of Spielberg's film.This is difficult to watch from the opening scene onwards as the protagonists, boys from their early to late teens, commit the most appalling acts of depravity - such as forcing another child to shoot his father dead, raping a young woman. One of these acts is witnessed by a young girl, who Johnny Mad Dog is to face at the films denouement. The director overcomes his budget limitations with effective use of hand-held camera, close in, jerky, tightly edited, frequently with the look of actual documentary footage. Things are often obscured, you can't quite see whats going on, which further disorientates and unsettles making an effective portrayal of the chaos of war. Another film I'd compare this to is the Russian COME AND SEE, which follows a teenage boy whose village has been massacred by the Germans. It also works in terms of disorienting the viewer, building into a climax, with a character who is not goal directed but functions more as a figure through which we bear witness. Johnny Mad Dog works in the same way - most impact as the credits roll, accompanied by a series of photographs taken during the Liberian civil war of 1990 - 2003. The film has drawn on those images, recreating them on the screen and enabling us to bear witness.Sound...very little music and impressive use of sound. The opening scenes made all the more effective with the horror of events conveyed through screams. Dialogue is in pidgeon English, subtitled and has a raw authenticity to it, with English words put into African grammatical constructs, mixed with local dialects, or words put together to form new ones.Performances from the young cast are superb, with an utterly convincing blankness. The violence has a randomness and purposelesness to it. Shouting at their victims, randomly barking out irreverent questions such as 'what is the area of a triangle?' These kids can't be written off as 'evil' because they seem to lack any motivation. Dressed in bizarre clothes such as wedding dresses, sporting headgear, fairy wings, in a strange way they've adapted to a set of circumstances and through the violence have formed their own surrogate family. I think the best sense to make of this is through mental health and the idea of a collective psychopathy which maintains it own awful momentum.Violence is all the more shocking in the way the director avoids cinematic conventions. There isn't a build up to someone being shot: one moment the boys are 'patrolling' a street, the next moment one drops to the ground, hit by a sniper. The treatment is very matter of fact, shocking for the banality, the casual nature of the violence.Challenging, chilling, disturbing, harrowing and difficult to watch. Time will tell but I think this may well, eventually, be seen as one of the 'great' war films. I can't think of another which deals in the same way so effectively with child soldiersThere are no heroes here, no resolution, ultimately it points up the complete futility and waste of all wars.
Johnny Mad Dog is a war drama in an unknown African country. The movie follows a group of African rebel soldiers that plunder and murder civilians.To make a good summary of the movie, it's 90 minutes of African rebels harassing and shooting civilians with their AK47's. We are given a shaky camera and A LOT of close ups which is confusing since you don't really know what's going on. It ends very abruptly and leaves you with a lot of questions.No characters to care for and no logic. You feel no sympathy for the main character this "Johnny Mad Dog". You just want him to die.I don't know what Jean-Stéphane Sauvaire wanted to say with this movie, and to tell you the truth, you're not missing anything if you don't see it.