That was an excellent one.

A very feeble attempt at affirmatie action

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

A great gift for someone ... if you really dislike that person.The acting is atrocious. The producers and directors should be shot on sight. Your average 5-year-old would make a better movie in a day using a 2MP camera phone.You're better off watching a blank screen or even paint dry to be honest. In fact, you may find yourself suicidal 30mins into this movie. It's not even suitable for background noise for the sake of background noise.Probably the worst movie made this side of the century Makes a perfect birthdays gift for that nasty mother-in-law or a cheating ex or a nuisance neighbor.

I can't believe it's been almost ten years since the first 'The Marine' movie. Back in 2006, WWE thought it would be great to make a film with one of their biggest wrestling superstars John Cena. They put him in the lead role of a movie called 'The Marine', which he indeed played the Marine. The even got Robert Patrick and Kelly Clarkson to star in the film. That was nine years ago. The sequel starred WWE superstar Ted Dibase, and the third film starred former Real World star and current WWE superstar Mike 'The Miz' Mizanin.Since The Miz did such a good job on Part 3, they brought him back for the fourth film in the WWE franchise, which has seen some moderate home video success. Make no mistake about it though, 'The Marine 4' isn't going to change the action genre in any way, shape, or form, but there is enough quality talent here to make the film look bigger and greater than it actually is. It's a simple and very run-of-the-mill action movie where it consists of only gun fights, hide and seek, and more gun fights. That being said, the fight choreography with fists and feet, as well as the mass amounts of gun play looks insanely good. So if you're a fan of mindless action with great gun fights, you'll be satisfied with this fourth installment from the WWE universe.The Miz comes back as former Marine Jake Carter who is tasked to look after and escort a young woman named Olivia Tanis (Melissa Roxburgh), who is the whistleblower for a major company that was responsible for some shoddy military uniforms. Olivia arrives back in the USA in order to testify against the company, but as soon as she steps foot on the soil and is enlisted in the care of The Miz, a ton of bad guys attack them with what seems like all the guns in the world. It seems like there is never a shortage of bad guys or guns here, as The Miz and Olivia have to escape each obstacle in their path.The film never slows down, which is unfortunate for our pair of protagonists here, because it seems like they are always in peril with dodging bullets, fists, or knives. But hey, that's a good thing for us, because it keeps us interested in seeing the next fun death sequence or the next cheesy line of dialogue, which is all through this fourth installment. In fact, one of my favorite lines in a movie this year is from 'The Marine 4', which happens at the start of the film and goes from taking the SAT's to 9-11 in only a matter of seconds. It's damn near perfect.You don't need to pay attention to any of the sub plots or story really, because in fact, there really isn't any. Just pay attention to how well the fight scenes and gun play is staged here. The bloody squibs go off nicely, and each punch and kick packs a forceful hit. It was good to see WWE Diva Summer Rae is in the film too as a sniper, but for some reason, they left most of her scenes on the cutting room floor and is barely in the film. The Miz and Tanis deliver solid performances. The Miz is easily likable and believable as the badass he portrays in this movie, whereas Tanis does a good job of of mixing her harmless and strong side into one cohesive character.'The Marine 4: Moving Target' is a surprisingly well made film where action scenes are concerned. I can't say the same about the dialogue, but hey, what do you expect from a fourth installment of a WWE franchise?

"One in the Chamber" director William Kaufman's bullet-riddled actioneer "Marine 4: Moving Target" is an above-average, old-fashioned shoot'em up about an ex-Marine who must protect a Department of Justice witness from the villains. Clocking in at 90 minutes with minimal back-story, this R-rated action thriller is nimble and no-nonsensical from fade in to fade out. On his first day on the job with a civilian company of hired guns, Jack Carter (Mike 'The Miz' Mizanin of "Marine 3") has his hands full with a cynical doll, Olivia Tanis (Melissa Roxburgh of "Leprechaun: Origins"), who has the goods on a corrupt defense contractor named Genesis that sold defective bulletproof vests to the Marine Corps. Olivia doesn't trust anybody and for good reason after we learn that the team dispatched to safeguard her is dirty. Predictably, Olivia hates Jack, and they have a lively exchange of dialogue in the SUV before all Hell breaks loose and a trigger-happy shooter, Andrew Vogel (the skull-faced Josh Blacker of "Elysium") and his army of mercenaries take out everybody else except the traitor. Vogel and company show no qualms; they wipe out an entire police station in a small town in a hail of gunfire to eliminate Jack and Olivia. Eventually, when Olivia has a golden opportunity to flee from Jack on his instructions, she changes her mind about the jarhead and saves his bacon moments after Vogel's gunmen massacre everybody in the police station with extreme prejudice. The hot pursuit manhunt plunges our heroes and their adversaries into the woods and turns into a "First Blood" game of survival. Our hero contrives surprising bloody booby traps for the expendable villains. Mike 'The Miz' Mizanin makes a solid, sturdy hero. Blacker makes a suitably sinister opponent. Scenarist Alan B. McElroy offers some memorable but histrionic dialogue. "You either behind the gun or in front of it," Vogel says at one point. Furthermore, our brawny hero believes in battlefield salvage as he picks up his adversaries' weapons after he empties his own gun. Of course, the villains are near-miss marksmen when it comes to nailing the principals. As B-movies go, "Marine 4: Moving Target" delivers formulaic, standard-issue violence with a high body count but no nudity. Kaufman helms these far-fetched shenanigans with a nimble hand and the hand-to-hand combat scenes are gripping affairs.

"The Marine 4: Moving Target" succeeds as mindless entertainment. It is related only thematically to "The Marine" (2006), sharing only the basic common elements: a highly capable and decorated former marine attempting to adjust to civilian life, a damsel in distress and a group of ruthless villains with enough firepower to invade the Falklands. It was produced on a tenth of the budget of the original and its limitations are obvious. The fight choreography is solid, although not of the caliber seen in "Furious 7" or "The Raid." Car chases are fairly lame, on the level of television dramas. The script is an embarrassment, particularly compared to the clever plots developed for the "12 Rounds" movies. Dialogue is hackneyed. Character development is essentially nonexistent. The plot is a rehash of "Eraser" without the locations, character backgrounds, special effects and (thankfully) without that ridiculous portable rail gun. Given that they haven't anything particularly interesting to say, the actors do a credible job. Mike 'The Miz' Mizanin is believable evincing the virtues of the Marine Corps while feeling awkward in civilian life and uncertain of how to act without clear orders. Josh Blacker is convincing as the relentless, remorseless adversary. They are both adept in the fight scenes. Melissa Roxburgh is not the most gifted thespian to grace a WWE production, but is believable when she stands around looking gorgeous and slightly vulnerable. However, she wears too many clothes throughout. A little more skin would have made her seem more vulnerable and boosted the sexual tension. MacCaull and Moinet do as well as can be expected with what they're given. The producers might have gotten more bang for their limited bucks by investing more in script development to make the characters more complex, interesting and sympathetic. As a mindless vicarious adrenalin fix, the fight scenes are satisfying and occur with sufficient frequency to compensate for the disappointing car chases and gun battles.