Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.
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Reviews
Sadly Over-hyped
Masterful Movie
The film makes a home in your brain and the only cure is to see it again.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
The songs are awful. Florence Henderson and the two men she shares the screen with are actually good in their roles although the two males were not heard from again after the film. The story is actually touching between Nina and Grieg. It is too long and tries too hard to be another "Sound of music". It doesn't even come close but has it's own charms. To sum it all up would have been better if it were not so long and some of the songs had been cut. It wastes the talents of the three leads. The scenery as mentioned is beautiful but does not hide the weakness of the film. It would have played better if the script was better.
Technically there is much to complain about in this film, which unfortunately mobilized all prejudices against it, which is a pity, because it's a great story, the actors are all superb, especially the old ones (Edward G. Robinson, Robert Morley and Harry Secombe as a perfectly convincing Björnstjerne Björnson), while Frank Poretta is number one as Rikard Nordraak, and it's really his story and tragedy that is being told. The music is all Grieg, his piano concerto dominates the whole film in various arrangements in both songs and ballets, and the dance sequences are all gorgeous, often with children, always in local costumes. It is very Norwegian in style, almost flippant in outbursts of great energetic humor and towering enthusiasm, which at times is difficult to follow in its high spirits and acrobatics, but above all the settings make this film something to return to at times with renewed pleasure, in spite of the overwhelming tragedy it recounts, - which, it should be pointed out, is a true story. I have seen it now 3 times found it better every time.
Critically-lambasted musical adaptation of the successful play regarding the early years of Norwegian pianist/composer Edvard Greig (played by Toralv Maurstad, a Bruce Davison lookalike with oddly shaped eyes). Grieg--initially a rowdy scamp in the 1860s who pined after a lovely girl from a prominent family while trying to get his sonnets published--found himself frustratingly without a benefactor or any professional engagements in which to showcase his work, later marrying his cousin and barely scraping by giving piano lessons. For the most part, writer-director Andrew L. Stone has crafted a not uninteresting, frequently engaging romp with several intentionally funny asides and endearingly klutzy musical numbers. The on-location shooting in Norway and Denmark is lovely, even if the cinematography in general is poor and the editing mediocre. Frank Porretta is a robust presence as fellow composer Richard Nordraak (who sings to the heavens and, at one point, directly to Edvard while seated in a restaurant!). Yet, just about the time Grieg is gaining some prominence for his hard work, the narrative (loose to begin with) gets all balled up, with too many tragedies coming to a head at once. This patchy third-act, punctuated by a myriad of nature shots and sunsets, doesn't allow the viewer any emotional satisfaction, and the finale is flat. More genuine style and gloss was required, and classical purists will probably scoff, however the picture has a lively beginning. Results are far from terrible. ** from ****
A horrible biography of composer Edvard Grieg's early life. It was shot on location in Scandanavia. The scenery is just beautiful and the music is fantastic--even the songs (based on Grieg's music) aren't bad. The problem? Everything else. The story is just non-stop clichés; the movie is way too long (2 1/2 hours); the dance numbers are badly staged and hysterically lousy and the acting...let's put it this way...Florence Henderson gives the best performance! Grieg himself is played by Toralv Mausted. Ever hear of him? Didn't think so. There's a reason for this. Also there are over FORTY songs shoved into this movie. Like I said, they aren't bad, but it gets to be a bit much after a while.I'm giving this a 3 for the scenery and music but everything else is hopeless. Easily one of the worst musicals ever made. Too bad--the scenery is truly gorgeous.
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