It Was the Son

September. 01,2012      
Rating:
6.7
Trailer Synopsis Cast

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

Toni Servillo as  Nicola Ciraulo
Giselda Volodi as  Loredana Ciraulo
Alfredo Castro as  Busu
Aurora Quattrocchi as  Nonna Rosa
Benedetto Raneli as  nonno Fonzio
Gino Carista as  il prete
Nino Scardina as  Zio Pino

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Reviews

Scanialara
2012/09/01

You won't be disappointed!

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AniInterview
2012/09/02

Sorry, this movie sucks

... more
Neive Bellamy
2012/09/03

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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Zlatica
2012/09/04

One of the worst ways to make a cult movie is to set out to make a cult movie.

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Paolo Butera
2012/09/05

Let me start by saying this is the first and only movie I've ever asked my money back for. I live in Palermo, I consider myself "knowledgeable about it", I know the little nuisances that Palermitans have and had in the past, but I'm not a Palermitan. I've "seen", "studied" and "understood" their gestural expressiveness, accent and their dialect. This movie completely destroys these details which make Palermitans, some of the most expressive (both in dramatic and comedy) people in Italy. The photography of the film is the only "attempt" to reality and the only feature worth mentioning. Toni Servillo (one of the best Italian actors after movies like Il Divo, Gomorra and roles like Gorbaciov-not Mikail-and many WONDERFUL other) was unprepared for this role. His dialect a mixture of Napoletan/Palermitan/Milanese made him lose credibility as a character, his overly exaggerated gestural expressiveness made him look like an "idiot". The rest of the cast was left on the sidelines, although having amazing potential. Lastly the fact that the movie was shot in Puglia and not Sicily, and especially not Palermo, makes me believe that the director was deliberately trying to demolish (not diminish, but DEMOLISH) the image of his native city.

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