Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.
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Overrated and overhyped
A lot more amusing than I thought it would be.
The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Well-off businessman, Daniel, falls hard for a bisexual (maybe play-gay-for-a-reason) man, Kyril, in 'Bulgarian Lovers.' I can see the attraction and obsession and it's sad to say, this is typical for some homosexual men: hounds attempting to catch the rabbit or the challenge is more enticing than what's easily retrievable: fellow gay males. Though I liked the movie, it was hard to watch this man's infatuation with such a user, make that a potentially and enormously dangerous user. His friends, who mistakenly refer to him as "girl" as he's anything but, even try and sway him. Despite Daniel knowing the risks, and the already taken foreigner Kyril, he aids this stranger in multiple "scams" or charades, while settling for sex as repayment. I liked some of the scenes that showed what was going on in Daniel's mind or what he wanted to happen, as it definitely showed the director knew how to make a stylish product. The movie unfortunately eventually runs out of steam and seemingly had to rush the plot in the final act. Also, many culture differences escaped me; yes, this proves my ignorance, but I would basically have to be a world traveler to follow some of their dealings or financial transactions. And regrettably, towards the end, it gets hard to tell real from fantasy. Such as, there's new developing subplots in the closing involving the mystical "Pulp Fiction" type package and a seductive cousin – was that for real, or not, or just an 'All About Eve' reference? Recommended, well acted and well made, though I would absolutely say middle of the road gay-cinema. I've seen a lot worse and a whole lot better.
The film is funny because it's true; this is very much how these relationships work. I read most of the other comments about this film and what I saw was just sour comments coming from people who most likely have got no idea about how these things go. I've seen things like this happen around me in Istanbul over and over again between foreigners and poor Kurds who are simply looking for a way out of their poverty and who would do ANYTHING to get a residency for the EU or US.What really horrified me was the dismissal of the 'Bulgarian' acts in the film because they are actually very important. They show us how Daniel has gotten himself in an emotional pit where he accepts that his 'lover' has a wife and a life of which he is no part. He even goes as far as rejecting the nephew of Kyril, who is offered to him on a platter and who very obviously sexually arouses him, because he's committed to a man who only sees him as a convenience.
If you have ever been involved with another guy from a former communist country who has absolutely nothing, you can relate to this film! Involved with an poor guy from ANY poor country? YOU CAN RELATE TO THIS FILM! You don't understand their culture, you don't understand their compatriots, their language or their relatives. This guy excites you TOTALLY and you don't really mind the growing drain on your pocketbook... You become more and more in love and more and more involved. The passion of it is exciting; so is the exotic nature of the whole thing including the travel to their home country. What are you getting into?
Spoiler Just how far will a person go for love? It's a standard theme in many movies, from "A Star Is Born" to "The Fluffer." It's also the theme of "Bulgarian Lovers."Based on the 1996 book by the veteran Spanish gay fiction author Eduardo Mendicutti and adapted for the screen by writer-director Eloy de la Iglesia and writer-star Fernando Guillen Cuervo, the story is about the love life of an architect named Daniel. Daniel is part of a group of wild, promiscuous and rather queeny homosexual men in Madrid. The influx of Eastern European men -- almost all of them sexy, penniless, starving and willing to engage in some meaningless straight-trade sex for a meal and roof over their heads -- has perked up the group's sex life. Daniel is on the lookout for the perfect man: Handsome, muscular, hairy and hung. He finds him in the Bulgarian, Kyril.But the standard problems with straight-trade men crop up. Kyril doesn't kiss. Although he's a demon in bed (there is a very funny scene where -- as the two make love for the first time -- Kyril constantly looking at his watch as Kyril's savage love-making makes Daniel desperate for it to end. Kyril cares little for Daniel except for the things Daniel can do for him (feed him, clothe him, house him). And Kyril regales Daniel with tales of his Bulgarian fiancee, Kalina.Life drifts along for Daniel and Kyril, and that's the first problem with this movie. Although actor Dritan Biba (Kyril) is drop-dead gorgeous and delivers several full-frontal nude scenes, there is little about the relationship between Daniel and Kyril to keep an audience's attention. The character of Kyril is written to be wooden, emotionally closed off and secretive. Subsequently, the performance given by Biba is about as interesting as watching paint dry. I found myself wishing for more sex scenes, just to keep my attention.Kyril's desire for money and then more money leads him to engage in a number of shady deals. He co-opts Daniel by having him hold on to large packages, co-sign loans, and "fix" Kyril's immigration papers so that he can stay in Madrid legally. Kyril even has Daniel consult for a Bulgarian oil magnate with organized-crime connections. The problem is that the audience knows how this is going to turn out: Kyril is going to do something horrific, Daniel is going to abet his crime despite his better angels, and Daniel will end up alone.Matters take an even worse turn at the film's mid-point when Kalina, Kyril's fiancee, shows up in Madrid. Daniel is shoved aside as the two lovers reunite. Daniel attempts to take up with another Bulgarian, the beautiful (aren't they all?) Emil. But home-intruders break in and interrupt their love-making. Were these men Mafiosa? Or were they sent by Kyril to break up the burgeoning love affair between Daniel and Emil? We never really know. But the gorgeous Emil quickly disappears.The film takes a bit of a sidelight when Kyril is beaten (by his shady business partners, or just street ruffians?) and is hospitalized. Daniel demands that Kyril give up all his shady dealings, but Kyril refuses. Instead, Kyril announces that he, Daniel and Kalina must return to Bulgaria for Kyril and Kalina's wedding.The Bulgarian sequences are relatively uninteresting. Little of consequence occurs. Daniel naturally is insanely jealous of Kalina, and tries to break off his relationship with Kyril. Kyril ruthlessly seduces him, however. Daniel complains that he is as much Kyril's wife as Kalina is, and that Kyril should dance with him as he danced with Kalina at the wedding. Kyril does so. That alone assuages Daniel's anger, and all is well again. I practically groaned out loud when this happened. Developments like this are so completely predictable. Daniel's narrated rationales for his decisions are uninspired and unoriginal.The lone plot development is that Daniel meets and is attracted to Kyril's young, handsome, over-sexed cousin, Robi. Robi, it seems, is a budding homosexual. He attempts to seduce Daniel, but Daniel rushes back into Kyril's arms.Back in Madrid, Daniel is once again shoved aside. To make Daniel happy, Kyril and Kalina spend time with Daniel at the country home where Daniel's parents live. But soon thereafter Kyril is arrested and jailed for smuggling. Kyril tells Daniel that he stashed a bag at Daniel's parents' house. If Daniel retrieves the bag and delivers it to the shady Bulgarian oil magnate, Kyril will be released from jail.Daniel does so -- of course. And, naturally, the bag contains something so horrific that it could, quite literally, end the world. Daniel tells us in voiceover that the "refugees from catastrophe will turn Paradise into Hell." But these moral musings lead absolutely nowhere. The besotted Daniel still delivers the package, and Kyril is freed.Daniel ends his relationship with Kyril. But not for long. Several weeks later, bereft, Daniel locates Kyril once again. He loans Kyril a large amount of money and tells him to leave the country. The only caveat is that Daniel asks Kyril to call him "once in a while." Kyril never does, of course.I'm not entirely sure what I'm supposed to have gotten out of this film. The trajectory of Daniel and Kyril's relationship is predictable. Daniel's voiceover narration doesn't provide any insight into Daniel's motivations, and is rather poorly written (perhaps this is due to the English translation, but I doubt it). Cuervo's depiction of Daniel is rather lackluster. He plays Daniel as pathetic and spineless, and it doesn't make for an interesting performance.Perhaps if Daniel were on some personal journey, we'd care more. Perhaps if Kyril weren't such a completely nasty person, we'd care more. Perhaps if Daniel discovered something about himself, the film would be worth watching. Even if the film decided to take the "film noir" track and depict Daniel as caught up by forces beyond his control... Perhaps if the film depicted love as something so powerful and overwhelming that it could not be opposed, even if it led to nuclear holocaust, we'd be more willing to spend 2 hours in the theater. But the film never goes anywhere beyond the standard straight-trade relationship.Compounding the problem is some average cinematography and editing, lackluster production design and unimaginative locale shots. The supporting cast is memorable for the outrageousness of the characters.In the final analysis, "Bulgarian Lovers" contains some stunning eye-candy. The Bulgarians are gorgeous, and most of them get naked at one point or another. But the film's heart and soul is missing. In a way, the film mirrors the very nature of the straight-trade Bulgarian lovers that it depicts: Beautiful, but empty.