The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.
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Slow pace in the most part of the movie.
Save your money for something good and enjoyable
As Good As It Gets
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.Roger Ebert called it "a haunting film, because it dares to suggest that the death of the stranger is important to everyone it touches – because it forces them to decide how alive they really are." That is one way of looking at it. Others have called the film a "puzzle" with pieces out of order and perhaps even missing.I liked the idea of a man who kills himself for no reason, and everyone around left to wonder. I am less thrilled about some of the follow-up. His life as a mystery seems better to me than exploring it, but others may disagree.
I agree with the other reviewers that Vanessa Redgrave's performance is the highlight of the film. She plays Jean so perfectly that you can imagine that they plucked the character out of real life and simply filmed her in her natural environs. You won't find any performance by an American star---and I include De Niro, Pacino and the other top Americans of the last 50 years---which is as natural, unaffected and moving at Redgrave's. The other real delight is watching Joely Richardson play the young Jean. She looks like her mother, and she foreshadows the later development of Jean perfectly. The actor who plays Jim is perfect in that small role: handsome, not too bright, very honest and devoted. The next great performance is in the character of John Morgan, perfectly portrayed as a young man who is mentally ill, but not to the extent this is noticed, or dealt with at school. He is intelligent, but unable to relate to people as more than objects, or objectified ideals. As a character, he is creepy in just the right degree---subtly, so that the pieces only fit together later.I'm not sure how to interpret the events which unfold or are revealed in the last 20 minutes of the film, but however you look at it, this is a depressing, very British outlook on middle age. A kind of, yes life is really awful, but we're here and the worst is behind us. In mood and final resolution, as well as in having a teacher as the central character, this movie has echoes of Michael Redgrave's very fine movie, The Browning Version. Finally, I don't see any significance to politics in this movie. The film is a story of character development and revelation. Don't watch this movie if you are easily bored, or easily depressed, for that matter. Watch it if you want to see some really fine acting, and want to be provoked a bit.
Ahh, imagine my surprise to find a movie with such a winning cast and an intriguing plot summery at 3:30 am.Then, imagine my disappointment in finding a movie that is poorly filmed (lighting was so bad I couldn't tell who the actors were and who was speaking), dialog that was plodding and boring, a story line that was so obtuse as to be untenable.Oh, I was so disappointed. I loved nearly every actor in the movie. It was filmed in Yorkshire, but let's just say it was NOT Agatha Christie's, "Hercule Poirot".OK, I got over that and tried and tried to watch it for what it was but never figured it out and kept falling asleep and having to back the film up to where I dozed off.That is not a good movie folks and believe me I've seen some wonderful movies in my 60 something years of watching.Don't waste your time, unless you want to be transported back to the 60' droll, boring, plodding scripts and filming.
An intriguing film which plays with time in an interesting way - it is based around the bizarre suicide of a young man, and scenes are shown in no particular order, some from before the suicide and some from after. Often it's hard to tell when chronologically a scene occurs. I like this kind of narrative structure (cf. Pulp Fiction).Towards the end of the film further scenes are interspersed from an apparently independent storyline about American soldiers during the war. When I saw the film (quite a few years ago) I couldn't work out how this related to the rest of the film at all. But it all seemed to make some kind of sense anyway.Definitely worth a look.