Just what I expected

Don't listen to the negative reviews

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

While not technically a Comic Strip Presents movie,this was written by Peter Richardson and Pete Richens(who wrote the majority of the episodes) and "guest stars" The Comic Strip. While these guys are well known for their left leaning comedy,this movie pushes it to extremes,while still managing to poke fun at themselves.A brilliant balance. Although most of the satire is rooted in 80's British politics,you will laugh even if you don't get that. I'd say this is second to Churchill: The Hollywood Years but ahead of The Supergrass.If you are even a small fan of these guys you need to see this.Another Richardson and Richens comedy classic.

"The Comic Strip Presents..." a lively, rowdy and bawdy cult black comedy gourmet with a novel one-joke premise like something John Watter's would churn out. Even that of Alex Cox's chaotic "Straight to Hell" shot to mind. This amusing oddball independent British feature kicks you in the guts with its heavy-handed approach from its acting to its dialogues and prominent surrealistic visual styling. No one is safe from the insults. It's sick and twisted with real ugly streak, but quite enjoyable as its anarchic messages are just so knee-jerk, the clever humour can be sneaky in its jabs and its episodically loose writing is just so random with its comic shocks. Interesting to see some familiar faces (Angie Bowie, Bill Wyman, Miranda Richardson and Paul McCartney) popping up with the likes of "The Comic Strip" being involved along with Motorhead contributing to the frenetic rock soundtrack. Even the bassist / singer Lemmy gets a part in the film. Al Pillay and Nosher Powell (looking great in green business suits) are the two who steal the limelight with their electric performances, one deadpan while the other maniac in delivery. Bombastic fun!"Here have a toffee".

I remember seeing a trailer for this film back up in Buffalo, NY, and then never seeing it come to a theater. At the time my first two thoughts were, "What the Hell is this?" and then, "This looks like something to watch!" Three years later, I stumbled across a VHS copy of it in a bargain bin of Record Theater, and snapped it up for $2. Being cheap, it's one of those rare occasions where I figured that I got more than my money's worth. This film is truly different. It constantly flips between well constructed and paced scenes, to a variety of cheap countryside scenes that connected a lot of the main characters. It feels like they ran short of money and spent a day filming a lot of quick scenes to try and make the movie fit together. Now don't let that stop you from watching it, and many of the scenes are unforgettable, but the film does slow down every time the action shifts out of London. If you can get through that, and Jimmy's annoying jokes, then you'll see a film that really is unlike any other I've come across.

You'll need to be in the right mood (something like "the entire world is on my last nerve") to fully appreciate this one. Better than most John Waters' films; same genre, if it is a genre. Capitalists may not get it, but for the rest of us it's a rare treat.