When Harry Levine, an aging, unsuccessful Greenwich Village writer, is fired from his job as restaurant doorman, he calls on friend and mentor Jake, ostensibly to collect a long-standing debt.
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Nice effects though.
Fresh and Exciting
Clever, believable, and super fun to watch. It totally has replay value.
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Well I just loved the Chinese Coffee for its brilliant acting and direction. It reminded me of the theater of the Absurd in a strange haunting way! With Chinese Coffee Mr. Pacino surpasses his own status of being a stellar performer & a superstar combined and cements his position as one of the greatest artists of all times. The tone of the movie is intimate and artistic at times a little dark. I loved the stream of Levine's consciousness which makes the audiences look into his past---his hopes & failures. Pacino is brilliant as a middle aged struggling writer who is haunted by his own past, his parents' and his own shortcomings and aspirations. Kudos to Mr. Pacino for providing us with such a brilliant artistic piece! He truly is a gem of an artist. Love him! God bless!
I just watched this on DVD, and although it offered some interesting moments and insights, the dialog felt forced and the two main actors, both of whom have done great work in other projects, didn't seem to click. On the DVD, there's an epilogue in the "features" section in which Pacino, who also directed, wondered whether there were too many flashbacks. Actually, I thought the flashbacks were enlivening, enabling the story to be more involving than it might otherwise have been. Pacino also mentions that because of Orbach's "Law and Order" shooting schedule, they were forced to film 84 pages of dialog in 21 days, perhaps explaining, at least in part, why the film feels a little undercooked.
A Broadway play turned into a film starring Al Pacino and Jerry Orbach. Think of this script as sort of a "Who's Afraid of Virginia Wolf" between two heterosexual men. In the span of two hours (with flashbacks) layer after layer of their relatively short friendship is peeled away to raw feelings and pseudo-honest expressions until a few truths may have been reached. My only problem with it is in the style of the dialog much of the time feeling the scripts are invisible but right in front of them. The timing is too "ready" and snappy, the comebacks polished, the exchanges sculpted with care. Had it (they) been relaxed, awkward, slow to respond, overly fast to respond, etc., I could've believed it. As it is, I never lost awareness this was a staged play.
9/14 9:00 am CHINESE COFFEE (*****)Unlike most films of plays that fail to break free of stagy theatrics, this film draws its strength from a wonderful script and an intimate tone of Off-Off-Broadway theatre. The combination of Al Pacino and Jerry Orbach together for a solid hour and a half could not be more special. Susan Floyd is also wonderful as Pacino's bohemian love. Painter, long time friend of Pacino and "Before Night Falls" director, Julian Schnabel, introduced the film on behalf of Pacino, who had to return to L.A. to shoot a movie.