Waking Up Yesterday

March. 15,2012      
Rating:
6.2
Trailer Synopsis Cast

Czech teacher Peter experiences journey into the past to late 80´s to recover his true love Eliška. At present he´s nothing but relationship´s loser so he tries to find his true love at least at the past. During his journey he passes not just through relationship´s problem but thanks to his radical opinions also encounters problems with communists, even if he knows already from the future that totalitarian regime won´t last forever.

Jiří Mádl as  Young Petr
Eva Podzimková as  Eliška
Filip Blažek as  Grown-up Petr
Viktor Preiss as  Petr's former class master
Miroslav Táborský as  Prof. Maznička
Svatopluk Skopal as  Petr's father
Barbora Jánová as  Janečková
Michael Foret as  Hrachovec
Roman Šebrle as  tělocvikář

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Reviews

GamerTab
2012/03/15

That was an excellent one.

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Ezmae Chang
2012/03/16

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Bob
2012/03/17

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Cheryl
2012/03/18

A clunky actioner with a handful of cool moments.

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Enrique Sanchez
2012/03/19

After several decades of watching movies, you run out of good new ones. One of the special genres in my choices is SCI-FI. Sci-Fi sometimes screws up when it is shallow or it tries to mix with comedy. There are a few exceptions. Some load clichés and your mind goes to sleep. But not with this film, from beginning to end, I was engaged with the plot and I cared about the characters. That is because the writer took his time to flesh out the characters and the story. The genre of Sci-Fi was not the intention of this movie, so don't look for it beyond it's obvious use.That main character is Jiří Mádl. What a naturally charming actor with that quirky smile of his. Immediately he becomes endearing. He was warm, and well engaged in his role. In fact, him and his co-star, Eva Josefíková, were wonderful to watch and their chemistry was palpable.I am not one of those who will over-analyze the plot or the mechanics of "time travel". But I have to mention that this film handled it very well. No clichés about the "fish out of water" or other such plot methods with which we are all familiar.Suffice it to say, I enjoyed this movie and I will watch it again. Even though the movie was in Czech or Slovak, and I had to read subtitles. I thought they did not detract one iota from the enjoyment of the film. In fact, it was really surprising how people REALLY all are the same everywhere when it comes to emotions.I rated this as high as I could.Great job to Miloš Šmídmajer and ALL who made this film!

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ottfried
2012/03/20

Time Travel, in the category of "2nd chance".The number of "2nd chance" plots seem to be on the rise. The reason could be that it's at the core of the idea of time travel: What would any one person do with time travel, if it was actually possible? Go back and correct something, of course.In the mythos of Time Travel there are two results of traveling back in time: One is that nothing changes, because it has already happened. The other is that future-brought causality will create a different time-line from the one departed from. In this story there are no speculations about causality, except in the most narrow sense: That which benefits the protagonist.The protagonist is given the opportunity to go back in time - as way of earning some extra cash and because "he's that kind of wacky person, who would do just that." No other clues are given as to why any government institution able to do so would send an unprepared civilian volunteer back in time. And since causality is not a real issue here, there is no debriefing or interview to discern if the person traveling back in time would not f*** things up for all and everyone - even if the reason for traveling back in time in fact IS to change the future from the past.But, hey, it's not a deep story - it's a comedy. In fact it's like most "2nd chance" plots: It's about lost love, regrets, life not turning out the way it should have. So, trying to make time travel plausible is just a waste of the audience's time. The protagonist, an emotional retarded 40 year old named Petr Kovár, badly needs to go back in time to fulfill the plot's purpose for going back in time: To correct a mistake, so life becomes worth living again! And that is exactly what will happen.6/10 says it works on many levels, irrelevant science and all. In fact it is quite interesting that Petr goes back twice - because it didn't quite work the first time he was there.Will it work the second time? Well, love always needs to win. Except in French movies - but this not a French movie.It takes place in modern day Czech Republic and 22 years previous to that, when the country was still under Soviet rule and everyone voicing their discontent were in danger from Communist party members and sympathizers. The depiction of Communist regime everyday life in school, at home and on the streets queuing up to buy clothes and amenities may have been toned down to fit the comedy's framework, but still feels genuine. We get an actual idea of, what it was like - the western clothes and music that young people dreamed of, and how hard it was to be in fashion and stand out as an individual.Petr Kovár has 22 years of knowledge of the future, and even if he is trying to keep a low profile and not reveal that he is a 40-year-old man in an 18-year-old body, he cannot quite keep his mouth shut about what will happen. His self-assured amusement - with the knowledge that everything the Communists are fighting to keep under wraps will be over 6 months later - gives the plot content. But otherwise the story is mostly about whether or not he will get the girl of his dreams, and in that respect there is hardly anything at risk.Everybody wins: He gets the girl and a better future (as in: Now that he knows better, as an adult, he stands up for his beliefs and his heart...), his friends get their partners, as he knows they will, the ardent Communist teacher will come to lead the school (rather than be ousted, when the Soviets loose their grip), the Czechs don't have to co-exist with the Slovacs (an actual line in the film, which leaves me wondering about the actual extent of discontent in the time the two countries were one) and we all end up with the image that love is all. Even in times of occupation.1st Moral: Be brave, when you see, what you want. In the film: Go for the girl you are in love with, when you have the opportunity. As underlying moral: If occupation ever hits again, fight for what you love.2nd moral: Normalcy is the price and prize of all human struggle. Not a bad one. It's worth fighting for, if and when you lose it.Finally: Stressing a slight quirk, which creeps in to most 2nd-chance-plots: When the older consciousness arrives in the younger body, sex invariably will ensue. And even if Petr Kovár IS depicted as an emotional superficial 40-year-old, he still IS 40 years old, when he has sex with his 18 year old sweetheart - except she doesn't know. The morality is obvious: It's not what you are on the inside that counts - it's the body's age that decided, whether or not a sexual mating is socially acceptable. That is very old lore. And not as easy fare today, as it used to be.

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