Oscar-winning cinematographer Philippe Rousselot offers a master class in image making, with insightful examples from his work on Diva, Hope and Glory, A River Runs Through It, Dangerous Liaisons, Interview with the Vampire and many more in this cineaste's delight.
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Reviews
It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.