Terrible acting, screenplay and direction.

How sad is this?

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This well-preserved Swedish classic available on DVD from Kino shows a remarkably adult comedy about marriage, infidelity, real or presumed, and leading to the re-matching of mismatched partners through divorce. It is well photographed, acted in a naturalistic manner not unlike the French films of the time (think "Judex") and has many action and outdoor scenes, including an outing in an airplane and a night at the opera.It is erotic in its subject matter - the sexual attractions extant in a group of young, wealthy and healthy people - and made even more so by the choice of attractive comedians who are all extremely "baisables" even by contemporary standards.The major failure of this DVD is in its musical accompaniment (piano, violin, tampura and percussion) which is as ponderous, depressing and dissonant as the comedy is lightly structured and frothy. The film has many distinct musical possibilities, including a pivotal romantic love song played on the piano by the wife to her would-be lover and a night at the opera featuring a Ballet Russe-type ballet along the lines of "Shéhérazade" and the Prologue to "I Pagliacci", none of which are rendered realistically - or even satisfactorily suggested. Instead, the viewer is treated to an unbearably caterwauling faux Indian raga - as revised by Arnold Schoënberg - from beginning to end, one that doesn't take any of the plot or acting subtleties into consideration, is highly anachronistic and will have you reaching for the Extra-Strength Aspirin.I survived viewing this DVD by doubling the speed at the times when the music became simply too much for my nerves, which allowed me to watch the film and its titles in silence and make up my own music as I went along.

Huge, dead tree beetles, a long-haired Arabian beauty dancing an erotic, half-naked dance of the veils wearing an exotic peacock-feathered headdress, and a niece who secretly likes to kick up her legs and smoke, makes mutton and cabbage casserole, and flirts with her own uncle - just a few of the things featured in this somewhat weird, but interesting, and even, at times, mildly amusing silent film. The film is about Leo, a professor of entomology and his tired-looking, bored "touched with melancholy" wife Irene, who has a crush on her husband's best friend, a handsome sculptor named Preben (Lars Hanson). Preben is in love with Irene as well, but holds back because of his friendship with her husband. Meanwhile, Leo flirts with, of all things, his own niece (and she must be a blood relative as she has the same last name as him!). Jealousies ensue.I thought the film was pretty well done and enjoyable, though a bit slow in parts. The music score that accompanies this film didn't really suit the story very well and was pretty heavy and gloomy for most of the film - in fact, it was really getting on my nerves (not in a good way) for the last half hour or so. The music did suit the story in a few places though - namely, a scene where they attend the opera to see this fantasy ballet featuring the on-stage tale of a Shah and his beautiful "favorite wife", and my favorite scene in the film - an interesting bit of photography in which Irene takes a flight with another of her flirtations, Baron Felix, and we watch their little plane as it sours through the air, Irene's scarf flying in the open air cockpit, and camera strapped to the wings as it looks through the moving clouds to the landscape below. Well done. The print of this looked very good, tinted in most scenes a sort of bright yellow-brown shade.

Insects are very similar to people in their sexual lives, as the entomologist Herr Leo Charpentier ( Anders de Wohl ) knows; some insects, like some people, are bigamists, others monogamists, and the boldest are even polygamists, not to mention the "Ipstypographus" who has three females! Charpentier's niece Marthe ( Karin Molander ) secretly loves her uncle, and Charpentier's wife Irene ( Tora Teje ) loves Baron Felix ( Vilhem Bryde ), and as well the sculptor Preben Wells, a friend of the whole family ( Lars Hanson ) loves Irene, but that one is an unrequited love... so, that's what "Erotikon", directed by the great Swedish director Herr Mauritz Stiller, is: a film about love and insects. "Erotikon" is a film that can be divided in two different parts: in its first part it is a high comedy with a remarkable pace and very dynamic editing; the film characters live in villas, go to the city by taxi, fly in airplanes and go to the theater; in this last scene the performance of the ballet "Schaname" is used by Stiller as a metaphor or analogy to explain in a subtle way ( as with the sexual life of insects ) that such complicated relationships have always existed, in ancient Persia ( the ballet tells the story of the Shah's favorite who loves prince Torie, another unrequited love with a tragic ending ) as in modern Sweden ( the entwined relationships of the main characters of the film ). In the last part of "Erotikon" the pace is more slow and static ( focused to solve those complicated love affairs ), the film more romantic, but not forgetting the comedy anyway, emphasizing for this German Count the surprising ending, modern and very advantageous for the film heroes' love interests. "Erotikon", filmed in 1920, is another great example of the modernity of the silent Swedish cinema ( in editing, acting, and even the audacity to show non-conventional marital relationships ), Herr Mauritz Stiller being one of its more important exponents. And now, if you'll allow me, I must temporarily take my leave because this German Count must investigate the Ipstypographus' secrets. Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

A scientist falls in love with a young girl who brings life and joy into his old house and marriage, while his wife is having an affair with his best friend. This is a completely delightful romantic comedy - one of the first ones ever? - with an abundance of wit and good acting. Mauritz Stiller is sometimes considered less interesting than his contemporary Swedish director Victor Sjöström, but Stiller had a feel for style and comedy which makes his films in my eyes fresher and more enjoyable than Sjöström's films. Stiller's more somber films have not aged as well as his comedies. Erotikon is perhaps a ditty, but it is certainly a wonderful one. If possible, see it in a cinema with a piano player playing live music - the film truly benefits from it.