Film art as a vehicle for denounce. This time, documentary film maker Kowalski chooses the seemingly quiet Polish landscape, a land chosen for gas drilling, making a careful examination through a cautious revision of the tracks left on the fields and the sincere confessions of discontentment of the farmers who witnessed the terrifying consequences of the intervention of great international corporations in the fields of Poland. The landscape in this resource-exploited land is infested by an invisible menace. With a special interest in the gaze of the oppressed, Kowalski delivers a somehow melancholic film, revealing a declaration of love to the land and nature before they go into oblivion.
Reviews
Better Late Then Never
Am i the only one who thinks........Average?
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
The film may be flawed, but its message is not.
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