Too much of everything

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

One of about twenty Zane Grey novels filmed by Paramount from 1930-1940, WAGON WHEELS is a remake of FIGHTING CARAVAN, a movie about the Oregon Trail. It's definitely a B movie, with its running time under an hour, plenty of library footage to give it some size, Charles Barton sitting in the director's chair for the first time and singing to eke it out -- Even Randolph Scott warbles a couple of lines of the title song.It's worth seeing for Scott in an early western. His first appearance in one had been a bit part in THE VIRGINIAN, but since his success in WILD HORSE MESA and THE THUNDERING HERD, Paramount had been giving him one or two oaters a year, in between the usual assortment of comedies, dramas and even lending him to other studios for musicals. He's solid here, opposite Gail Patrick, with some good support from Raymond Hatton as an old Mountain Man. However, it's still an okay B movie, even if he would do great things in the genre over the next three decades.

I was surprised during the opening credits to see that this picture was based on the Zane Grey Western story 'Fighting Caravans'. A film with that title appeared in 1931 starring a young Gary Cooper with much of the same story line. This time the destination is Oregon, while in the earlier movie, the wagon train was heading to Sacramento. The principal character, wagon-master Clint Belmet is portrayed by Randolph Scott, and he has a couple of sidekicks, Bill O'Leary (Olin Howland) and Jim Burch (Ray Hatton) who help out with the wagon teams. Belmet has this thing against 'lily white women going across the Rockies', but after a while, he begins to take a liking to Nan Wellington (Gail Patrick), and the feeling appears mutual. Nan's four year old boy Sonny (Billy Lee) provides some of the picture's comic relief in his relationship with Belmet, and manages to fire off a few well placed slingshot rounds during the Indian attack that closes out the story.I have to say, the wagon train itself was quite an impressive affair, and a lot more rustic looking than you got with your classic TV Westerns. Watching them make their way across deep rivers and through rugged mountain passes covered with snow made you wonder how rugged those folks had to be to even contemplate such a journey.Surprisingly to me, the film offered more than a handful of songs provided by various characters, including the title tune done a couple of times by cowboys round the campfire and again by rugged gal Hetty Masters (Leila Bennett). The action in the story was provided by a couple of Indian attacks against the pioneers, instigated by villain Murdock (Monte Blue) who was hired by fur traders to prevent them from reaching their destination. With Randolph Scott on hand however, the settlers prevail to continue on their journey to a better life than the one they left.

The print for this old western is only fair and unfortunately it does not have any sort of captioning---either closed captioning or DVD captions.I chose to watch this film because it starred Randolph Scott--and I never turn down a chance to see another one of his westerns. Compared to the average film in the genre, Scott's always seem a bit better--much of it due to Scott's seemingly effortless acting. Even here, early in his career, his gentle yet rugged persona is intact--and quite enjoyable in this rather short B-movie. Another reason, it turned out, to see it was young Billy Lee--one of the cutest child actors I can recall--and not in a cloying and saccharine manner.Not surprisingly considering the title, "Wagon Wheels" is about a wagon train that is heading to Oregon but must deal with the elements as well as American-Indians that are being stirred up by a jerky half-Indian (Murdock). Scott and his two very scruffy looking friends are in charge of getting these settlers to their destination.As for the story, it's very straight-forward---without a lot of the sentiment and clichés you'd normally find in a 30s B-movie. As a result, the film does seem a tad rushed but is otherwise pretty watchable.By the way, for historical purists out there, while the story is supposed to be set around 1850, the guns are clearly newer--with the settlers using what appear to be cartridges--which were not readily available at that time in history. Also, while popular in films, American-Indians did NOT make a habit of attacking wagon trains--in fact, it was a very, very rare occurrence.

In 1931 Paramount filmed Zane Grey's Fighting Caravans and turned it into an A picture western with Gary Cooper. It was the mentality of the studio bosses back then, why waste good stock footage. So a shorter version of this same story was done three years later with Randolph Scott playing the leading role of Clint Belmet.Having both versions, I could compare them side by side. Same footage involving the wagon train going west and of the Indian attack climax. Just juxtapose close-ups of the current cast and you got yourself another movie on the cheap.Since this version is only 56 minutes it was part of Paramount's B unit and played second on double bills.Like in the first Fighting Caravans, Wagon Wheels has one young scout and two old ones leading the wagon train west. Gail Patrick gets one of her first and only leads. Usually Patrick is cast as the other woman. Maybe her best know role was as Carole Lombard's sister in My Man Godfrey. Gary Cooper was an A list star, but Randolph Scott was on the way up and would get to not quite the top of the heap soon. He acquits himself well here.Great stuff for the Saturday matinée crowd.