Baader

November. 10,2002      
Rating:
5.5
Trailer Synopsis Cast

Andreas Baader starts out as a small-time criminal. In Berlin, he is recruited by a revolutionary cell. They plan to overthrow the state.

Frank Giering as  Andreas Baader
Laura Tonke as  Gudrun Ensslin
Vadim Glowna as  Kurt Krone
Birge Schade as  Ulrike Meinhof
Bastian Trost as  Jan Carl Raspe
Jana Pallaske as  Karin
Hinnerk Schönemann as  Victor
Anna Böttcher as  Marion
Eric P. Caspar as  Innenminister

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Reviews

Karry
2002/11/10

Best movie of this year hands down!

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Hellen
2002/11/11

I like the storyline of this show,it attract me so much

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Micitype
2002/11/12

Pretty Good

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SnoReptilePlenty
2002/11/13

Memorable, crazy movie

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elenalange
2002/11/14

The movie reminds one of a theater play gone wrong, from the awkward choice for the cast (the blonde/blue eyed, chubby Frank Gehring not only looked nothing like the skinny, dark haired Andreas Baader, but his play could not make up for the 'cognitive dissonance' one felt who knows/remembers original footage), to the historical 'facts' that were, quite frankly, badly researched (therefore wrong) and made misleading allusions to other parts of German political and time history. Originally, Baader's 'liberation' by Meinhof in 1970 took place at the Deutsches Zentralinstitut für soziale Fragen (German Central Institute for Social Questions) in Berlin. In the movie however, the sign on the door of the building Baader and Meinhof were led into reads 'Institut für Sozialforschung'(Institute for Social Research). The IfS is not only in Frankfurt (not in Berlin), but also directly connected to the Frankfurt School or Critical Theory of most prominently T.W. Adorno who were Marxist philosophers, very influential in the 1968 movement, but also radically critical of the RAF. That info given is therefore not only misleading, but drawing historically inaccurate and distorting connections. Another MASSIVE problem was the heavy Berlin accent Baader (Gehring) put on: Baader was born and raised in Munich and could for the life of him not master a Berlin dialect. Historical inaccuracy need not always taint the pleasure of a movie, but in the history of the RAF, itself a 'fetishized'and mythologized object, it did. That the movie depicted the members of the RAF as somewhat 'de-politicized', bored kids who simply wanted to have some thrill in their lives, was another problem, and itself also historically inaccurate, regarding the POLITICAL mission they considered themselves to be on and the many writings Meinhof and others published during their lifetimes (which are never mentioned in the movie). Not historically inaccurate, but very unlikely is the soundtrack. In the movie, the RAF members allegedly listened to Can. Everyone with a little knowledge of the German Krautrock scene and its aesthetic will find that connection unfortunate. Also the confined abilities of the actors (the late Gehring was usually great, but this role must have overwhelmed him) and the failure of the screenplay to deliver moments of suspense or drama contributed to its weakness.

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Horst in Translation ([email protected])
2002/11/15

"Baader" is an almost 15-year-old film by editor, writer and director Christopher Roth. The film runs for slightly under 2 hours and stars the late Frank Giering as the title character. Also in here is the (also late) Vadim Glowna playing one of the biggest supporting characters and Hinnerk Schönemann, a personal favorite of mine. If you know a bit about German history, you certainly have heard of Andreas Baader, the most feared left-wing terrorist a couple decades ago during the days of the RAF, Red Army Fraction. Unfortunately, this movie here is (unlike the Oscar-nominated "Baader Meinhof Komplex") not historically accurate at all, but almost in its entirety a work of fiction, not only in terms of the final moments of Baader and the movie. Yes there were other characters that existed and played a major role back then, but this is basically it.However, this is not why I did not manage to appreciate this one. I personally felt that it was just trying so hard to be shocking and controversial that it forgot to tell a really captivating story. The inclusion of terrorist attacks felt fairly random and definitely could have been elaborated on in a more impressive manner. Also the movie felt way too long. I think they should have kept it at maybe 95 minutes as this way the focus could have been clearly superior than it finally was. It is tough for me to find a reason to really recommend this one, be it in terms of storytelling or historic significance. This just wasn't a good watch. Thumbs down.

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martin-sielaff
2002/11/16

I was disappointed by this movie, maybe because i had the wrong expectations. My expection was to have a portrait about the person "Andi Baader", maybe how and why he became what he was. But it seems more like drifting away from the historical happenings into an "0815-gangster-movie"... including "a peaceful meeting of the opponents" (the meeting Krone - Baader during night on the road!) the death of Baader is so far away from reality... more in an idealistic gun-hero image "alone against the world" ...the abduction and assassination of Martin Schleyer is missing, too. Baader is an political thriller playing in a moving period of German history, using Names of real RAF-Members, but not displaying it in a historical "retrospective", but in a fictional story

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oresteia
2002/11/17

As far as I knew Baader-Meinhof was some sort of a anarchist group of early 70s. I still think it is like that because the movie did not give me any other information about them. Were they Marxist? If so, were they Maoist, Leninist or else? Well of course, this is not the intention of the movie. The intention is to create a cult around the personality of Baader. Of course The Americans have their bandit heroes like Jessie james, so the Germans had Baader! Baader is also represented as a Steve Mac Queen type of macho guy... But there was ONE MAJOR PROBLEM for the director: Ulrike Meinhof! What are you gonna do with her? After all the gang is named "Baader-Meinhof" and not Baader...So the solution is there: Ignore Ulrike as much as possible. Reduce her to the status of a silly woman who forgets the money bag she steals. And at the end she just disappears like that! And as far as other female figures are concerned, you just show them as weak, cheeky girls who joined the gang because they fell for Baader. Well, this movie really disappointed and angered me because it tells the story of real people who wanted to create (in their own ways) a fair and Just world. But I don't see the same fairness and justice in the way they are represented. I also think that the end of the film is very funny! Why don't you tell straightforwardly that the guy has committed suicide? And what about this Police chief who cries next to him? Who is gonna believe that?....

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