A long process of experimentation with a variety of different filmmaking techniques while examining an evolving queer identity. The film shows an emergence of the Pink Fairy. Part femme, part tomboy, part fairy, the characters come together to subvert the idea of a fixed identity. Luminescent imagery is imprinted by hand using hand-processed colour footage, optically printing Super 8 to 16mm, 16mm to 16mm, negative to positive, video to film, and repeating motifs, to explore the intricacies of the celluloid medium. Audio emotes through random manipulations in a Brion Gysin-like cut-up technique.
Reviews
Plenty to Like, Plenty to Dislike
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Story: It's very simple but honestly that is fine.
It's a feast for the eyes. But what really makes this dramedy work is the acting.