Mean, gritty, dirty and low, and that's just the policeman Gary Keltie, out for retribution for the horrendous crimes against the helpless people of Edinburgh during the 1970s, by notorious, torturous, and killer, debt collector Nickie Dryden.
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Reviews
Waste of time
Simply Perfect
hyped garbage
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
This is a clever movie. Investigators try to get into the mind of a criminal and become them. That takes obsession, but what happens when obsession takes you? It's a fact of life that most people would like to be the tough, bad guy and this seems to be where this movie gets it's ideas. A life time on stage has prepared Connolly well. His performance is admirable. Admittedly, it's been about 3 years since I seen this film as I write this, though I remember strong feelings associated with it. There's something very real about it. I don't want to spoil this for anyone thinking of watching it, so I'll just say the "assualt" scene is particularly real and horrifically scary, as is the fight scene. No stupid Hollywood sound effects added to this one, and that's what makes it so damn scary because it doesn't seem as though it's just an act. If you like Connolly, check it out. If you like a thriller, same deal. If you like movies at all, there's no reason not to have a peek.
The Debt Collector is a brilliant study of one man's attempt to escape his past without fully paying for his sins and one man's obsession which eventually takes over his life. Nicky Dryden (Billy Connelly) is the man with the past, a vicious debt collector. Keltie (Ken Stott) is the cop who ensnares him and puts him away. When Dryden is released he starts to make a name for himself as an artist and marries a beautiful reporter. Keltie cannot bear to see a man like Dryden living a lifestyle like that after all the horror he created. Dryden of course is a reformed man but is haunted by his past. His wife Val (Francesca Annis) seems to be the only one who understands. All Keltie had is his mother (Annette Crosbie) who is starting to suffer from dementia. When Keltie seeks revenge on Dryden on behalf of all his victims it becomes an obsession. Then Flipper (Iain Robertson) a young thug who hero-worships Dryden, becomes the catalyst for tragic events to unfold and nobodies life is untouched. You will never see a more intense study of obsession. The closest film comparison would be TAXI DRIVER, but that is the story of a loner. The men in Debt Collector both have responsibilities toward family and that is the source of the tragedy in the film. The performances are brilliant, Connelly, Stott, Robertson and Annis are perfect, with Stott deserving a special mention for creating one of the most complicated characters in Scottish Screen History. The Direction is tight, Neilson never once showing his TV roots. This is a film well worth seeking out.
This is an oddity: a British film that doesn't trade on its Britishness, instead relying on its strong plot and themes to carry it along. Billy Connolly's and Ken Stott's performances contrast pleasingly, the former underplaying his hopefully-reformed murderer, and the latter foaming at the mouth with the sheer excesses of his anger.The film touches on themes of forgiveness, justice and obsession, but lays no claim to easy solutions, instead trying its hardest to give a hard time to all involved. Forgive but don't forget would seem to be the message.Unfortunately, its fast pace sometimes swamps opportunities for true character development. At times saddening, at others horrifically disturbing, The Debt Collector never manages to build enough empathy to be truly touching.
An excellent film, though what a bleak view of human nature. Connolly's character is trying to live a good life and the psychotic policeman is determined that it won't happen.Real Shakespearian tragedy, the wilful misunderstanding of the others characters motives by virtually everyone in the film made the outcome inevitable. The fight in Edinburgh Castle was a wee bit on the unbelievable side, but definitely fitted into the dramatic tradition.At the end you were left wondering who had actually benefited from the whole sordid mess?