Trailer
Synopsis
Cast
An evocative portrait of people having orgasms, lingering on the silent classical face of ecstasy.
Similar titles
The Launch of HMS Albion at Blackwall
The film documents the launch of HMS Albion at Blackwall on the 21st of June, 1898—an event that was witnessed by 30,000 onlookers, 37 of whom lost their lives when the jetty upon which they were standing became washed away by the resultant swell.
Babies Rolling Eggs
The Washington Star of April 1st, 1900, gave the following account of the ceremony: "Over 40,000 women and children passed through the White House Gates to-day during the hours set apart for the great National show of Egg Rolling, and when the President stepped on the south front gallery at 4:15 P.M., at least 20,000 were within the grounds. The Marine Band rendered a programme of popular music. The President's children entertained at least fifty young friends during the day with a view of the egg rolling from the balcony, but none of them mingled with the great throng, preferring to view the panorama from the distance. They were much amused with the antics of the great crowd of children, who were of all colors and from every walk of life."
Police Car
Cale makes a short film called Police Car. No sound, and it is in black & white. Part #31 in the Fluxus Film series.
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A two-wheeled convoy of Victorian gentlewomen in a charming early film enigma.
Silent Britain
Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.
Carmencita
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
The Boxing Kangaroo
The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.
New York Portrait, Chapter I
Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.
Reviews
Great Film overall
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Don't Believe the Hype
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A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
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The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
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