It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

The acting in this movie is really good.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

By introducing the ending at the beginning of the film, the Director Ann Hui cleverly focuses on the unfolding of a family tragedy and the deterioration of a fraught relationship. The result is an extremely powerful drama, delivered by an astonishing cast. Simon Yam and Zhang Jingchu are simply BRILLIANT...I can't even describe their performance with words. If you are a genuine cinema verite fan, this cannot be missed, it will be a great pity if this film is avoided because of the subject matter, as it is a lot more. Its impact on me is not unlike The Bicycle Thief, and its quality on par with other cinematic greats. It is really such shame that this film does not get the exposure it deserves.

Stories of domestic abuse are often so unreal or surreal, if/when they are made into movies they often come off as unbelievable or too melodramatic, leaving the facts of the case alone to provide the emotional impact. The aesthetics of the film itself seem less of a priority. The acting and direction of Night and Fog are so pitch perfect, that even though the story starts at the end so we know the result and it's unraveled through flashbacks and police interrogations, it plays out like a mystery. It's not the what of what happened but the how of what happened that compels. And don't write off Jingchu Zhang as just another pretty face. She nails the part of an ambitious peasant girl from the heartland, in this case Sichuan, who appears to have made it to the top by marrying a Hong Kong man. Her sisters made it only halfway, marrying men from the industrial Shenzhen. This is the ladder of success many young women from the disadvantaged rural areas attempt to climb. No matter that many of the men they pursue, especially the ones from Hong Kong, might already have a wife.Director Ann Hui places the micro of domestic abuse into a wider macro social context with such honesty it's scary. The film reveals a plight of a segment of the Chinese population it hurts to know about. Hui pushes hard on the social buttons of an issue that many would like to ignore, but that's what gives the film its power. This is one of the more painfully sad films I've seen in a long time. I put it on when it was already way past my bed time, thinking I'd just get a feel for it and fall asleep. Well, a feel for it I got, and ended up staring at it, bug-eyed, the entire two hour runtime.