I love this movie so much

Absolutely Fantastic

The film makes a home in your brain and the only cure is to see it again.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

An interesting "documentary." If only it were true.This movie might just as well have been titled "Revenge of the Nerds: Nerds Destroy Microsoft." Don't worry about the intellectual property issue that someone else owns the rights to the names "Revenge of the Nerds" and "Microsoft." Intellectual property obviously isn't very important to people who champion an operating system built by systematically reverse engineering and copying, piece by piece, someone else's operating system.Except the nerds didn't destroy Microsoft. In the second decade of the 21st century, Microsoft still has a 90% market share and MacOS is its only real competitor. Admittedly, Linux never expressed an interest in market domination, but this movie's tales of Linux's triumph over Windows are greatly overstated.Two of the great success stories presented in the movie; Cygnus and VA Linux, simply no longer exist as presented. Cygnus was absorbed by Red Hat even before the movie was released, and VA Linux abandoned its business model, becoming an entirely new company with a new value proposition shortly thereafter, when a disastrous crash in its stock price proved its original value proposition was indeed weak as it had originally been described.The movie presents absolutely no data from "the other side" other than a letter written by Bill Gates in 1976, when he was twenty and Microsoft had not even been incorporated. Moreover, the letter is read by a woman whose voice borders on a rage-induced hysteria accompanied by a disturbing and ominous soundtrack. I wonder how rational Torvalds would sound with a lurid Berlioz soundtrack accompanying a lunatic's recitation.What is most disturbing/amusing/annoying is the constant insistence by commentators on comparing Linux with Windows NT. Let's see, Microsoft hasn't released a product under that name for more than a decade, so perhaps, if we are to insist on that comparison, we should be examining Windows NT, released in 1993, with Linux 1.0, released in the same year. Now that would be interesting.In the end, this movie has the tone and sentiment of a poorly made propaganda film, and about as much intellectual honesty. Linus Torvalds actually seems slightly bitter at the success other people have achieved through Linux, and he remains unrepentantly in denial of Linux's origins in the GNU project. Many of the other commentators seemed to focus far too much on establishing their geek cred by claiming to have been doing "X" longer than anyone or having done "Y" first. Eventually, their endless ranting exalting themselves and their ideas became simply tiresome and made them appear more ridiculous than authoritative.The one person who didn't come across as an embittered deludinoid is Richard Stallman himself. Stallman, despite a widely held public perception to the contrary, seems a rational and sincere advocate for his own ideals, however naïve they may be. It is perhaps ever so slightly disingenuous for Stallman to advocate working for nothing and giving your work away when he has been the recipient of numerous grants, including the MacArthur Grant – the sizable so-called "genius" grant from the John D. & Catherine T. MacArthur Foundation. Nevertheless, this movie made Stallman seem, to me, quite genuine and even likable.I would call this movie a dramatization, not a documentary. It is definitely entertaining; a delightfully comic, though unintentionally so, look inside the bizarre open source community and their zealous, almost religious devotion to an operating system that, notwithstanding all the declarations of victory to the contrary, has never managed a significant market penetration and, in its prevalent forms, in all likelihood, never will.

When I first saw this on the shelf at the store I thought that it had a strong potential to just be a "feel-good" movie geared only towards those in the open source movement.But after watching it, I feel like this is a documentary that I could show my parents so that they can better understand the Open Source Community that I call myself a member of.This movie provides a very good introduction to what drove software programmers of the 70s into the idea of freely available source code. I thought I new most of the history, but a lot of what Richard Stallman and Bruce Perens talk about enlightened me. I feel like I know understand the open source community better and get the big picture. Even though I thought I knew the big picture before.

Given that I have no knowledge about computers nor how they operate, I foundthis film very informative with some basic descriptions of the free software and open source movement (which have some ideological differences... not that Ihad ever heard of either). The film recounts the historical evolution (andsubsequent "revolution") through a series of interviews of key players in the development of the Linux operating systems for computers. If you know nothing about computers, do not assume that you will find this film uninteresting. In fact, although dense with information, the narrative is straight forward and almost all the information is explained for the ignorant like myself.There are some relatively small problems with the film, mainly near itsconclusion. The finale of the film does not address the disparity between the commercial aspects of open source in the 90's and the long-term growth of the philosophy and practical applications. I assume that the Linux OS and the idea of open source did not lose steam after the dot-com stock bubble burst. Given I don't work around computers, besides for internet research and writing, I must make that assumption. Yet the film implies, for those of us who are ignorant, that perhaps it was derailed by the economic problems. But given the stablefoundation of the idea that the film describes, I cannot imagine that commercial problems would have a long-term affect.The film ultimately is a nicely constructed lesson for those of us out of the loop. I recommend it to anyone who is interested in watching documentaries orlearning interesting kernels about our world. In terms of emotional involvement, the way the director juxtaposes the interviewees creates interesting moments of humor (there seems to be a jockeying for credit happening within the community of programmers). Where the credit belongs and how people have used thisideology (which it is according to one of the founders of GNU-- see the movie, it will all be explained) to launch practical business operations creates a nice tension. Of course, there are some mentions of Microsoft's relationship, which is adversarial, to the Linux OS that can help the laymen get emotionally involved in the story by means of creating a hero (the Open Source community) and avillain (Microsoft). Of course the Microsoft way of business (proprietary rights) is never really given voice with the exception involving an over-dramatizedreading of argumentative letter written in the 70's by Bill Gates (given I am originally from Seattle and some of my friends work for the giant, it seems a little one-sided).Again, if you have no knowledge of computers, do not avoid this film for that reason alone. If you are on this site, you have an interest in films. You can at least appreciate it as a nicely constructed documentary (although not excellent) that will illuminate a part of recent history.A small note: although there are some mannerisms of the interviewees that can be regarded as stereotypical regarding computer enthusiasts, they are some of the more well-spoken interviewees I have seen in film in awhile.

A nice documentary about the open source software revolution. None of the material presented here will come as a surprise to the computer techies out there, but the interview format of the film does give a feel for the personalities involved, including Linus Torvalds, Richard Stallman, Bruce Perens, and Eric Raymond. What is most intriguing is how each person is portrayed as feeling that their contribution to the open source community stands out as the most important part of the revolution: Torvalds' Linux, Stallman's GNU Project, Raymond's "The Cathedral and the Bazaar", Perens' "Open Source Definition", and Behlendorf's Apache. Whether these people truly feel this way or whether it is attributable to creative editing is an exercise left to the viewer.