Elvis: The '68 Comeback Special

December. 03,1968      
Rating:
8.9
Trailer Synopsis Cast

After years of diminishing returns on the big screen, Elvis gets back to his roots on television, and turns in one of the greatest performances of his career.

Elvis Presley as  Self
Charlie Hodge as  Self
Scotty Moore as  Self
Tanya Lemani George as  Self
D.J. Fontana as  Self
Lance LeGault as  Self

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Reviews

Solemplex
1968/12/03

To me, this movie is perfection.

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Lucybespro
1968/12/04

It is a performances centric movie

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Fatma Suarez
1968/12/05

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Philippa
1968/12/06

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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MARIO GAUCI
1968/12/07

The unassailable reputation of this legendary TV special prompted me to acquire it regardless of the fact that I have little more than a passing interest in its subject; actually, a conversation I had on "Facebook" with the top local Elvis fan I know on the day that would have been "The King"'s 76th birthday is what made me watch it immediately! Although the IMDb gives the show a slim 50-minute duration, the copy I acquired ran for around 73 and, indeed, looking up some information on it after the fact, I realized that there are several versions available out there, culminating in the exhaustive 7½-hour "Deluxe Edition" released in 2004 spread over 3 DVDs! Presley's fans must have drawn a great sigh of relief watching their idol get back to his true métier of performing live in front of swooning audiences; what really impresses the 'infidels', however, is the sheer energy and magnetism that a totally black-clad Elvis is able to transmit in this up-close-and-personal/back-to-basics rendition of his decade old classic hits that, surely, must have been the precursor to the "MTV Unplugged" fad that proliferated a quarter-of-a-century later. And so it is that we have Presley belting out full-length or medley versions of "All Shook Up", "Don't Be Cruel", "Heartbreak Hotel", "Jailhouse Rock", "That's All Right" and even a tongue-in-cheek "Love Me Tender"(!) – performed either while barely containing himself in a chair (and accompanied by a handful of seasoned musicians) or standing up with guitar in hand as he interacts with the fans sitting literally at arm's length away from him! In spite of the stripped-down nature of the songs themselves, the show was captured on camera for posterity in as slick and flashy a manner as was possible at the time; in fact, we have here any number of suggestive camera angles and cleverly worked-out shots which, in their evident attempt to highlight the older but perfectly matured figure of its 33-year old star (a far cry from the bloated, all-white image of his later Las Vegas days), are par for the course. However, it was hard for me to accept the incongruity of a couple of truly elaborate musical numbers which, for all their intrinsically enjoyable kitsch elements (not the least of which is seeing Elvis felling his foes with karate chops!), reeked of the blandly exotic Hollywood musical vehicles that one hoped Presley wanted to fully leave behind with this startling image revamp and, basically, only served to stretch the show to feature-length standards. At any rate, his acclaimed album "From Elvis In Memphis" (which I have yet to listen to) was just around the corner...

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bob the moo
1968/12/08

After a sort of video performance, this television special opens with a short montage of Elvis performing several of his songs. This immediately has the effect of reminding us why Elvis continues to be famous to this day. This continues with song after song that are well loved and/or very enjoyable. Although I'm sure people don't like his music (and they won't be watching anyway) this show is likely to be enjoyed by those who only listen to Elvis when he occasionally comes onto radio 2.The set-up was a bit strange at first as we start with Elvis on a small stage at a low level with a small audience sitting all around him and for me he didn't seem to connect with them at all. This wasn't helped by the fact that, at the start of each song we get a roar of recognition from the crowd but yet looking at the audience all they seem to be doing is politely clapping. This gets less of a problem as the show goes on for several reasons. Firstly the lights get dipped and the stage gets a bit more cluttered with people Secondly Elvis himself starts to have fun and do more than just sing. He jokes with his band and takes the mick out of himself a bit to good effect. This makes it easy to like him and makes him more of a person – which doesn't sound lie much until you think of the mythical status that he seems to hold now, it is fun to see him messing around like a performer.Overall then, those that hate Elvis for the sake of it will not enjoy this however it is a strong enough show to appeal to fans and the casual listener. Aside from some minor issues associated with this being a television production, the music is strong and the performance very good. Watch it to understand what all the fuss was/is about.

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TonyStewartNJ
1968/12/09

I was only eight years old when NBC aired the show on December 3rd, 1968! I remember the cable(CATV as it was known back then) was not yet installed at our housing development so my mom(RIP) drove me to my older sister's house because I kept driving her nuts with questions about 'The King' and his music. My sister had also just gotten a brand-new RCA color set..that night I pretty much found out just what a talented performer Elvis Aron Presley was. And being all of eight years old, I thought the black leather pants and jacket he wore were really cool..and oh yeah, all the young women surrounding him near the stage..I still remember it, one of the coolest things about my childhood, seeing that special.

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Michael O'Keefe
1968/12/10

After much convincing, Elvis Presley does something about his career teetering on the brink of stagnation. During the last week of June 1968, the man who almost single handedly led a musical revolution in the mid '50s made use of "Western Recorders" and the "NBC Studios", Burbank, California to put on tape a TV special. The Elvis NBC Special came to be known as "The '68 Comeback Special". It was originally aired on the night of Dec 3, 1968 and slaughtered the competition: 'The Red Skelton Show', 'It Takes a Thief' and 'The Doris Day Show'. Made up of production numbers and mini-concerts in front of live audiences, this TV special afforded a lost man to find his way home. Elvis Presley was back and once again his career would regain meteoric flight.Producer/director Steve Binder would be swamped with accolades. NBC took the chance and came out looking like a champ. Elvis' fan base would swell. The lp "Elvis(TV Special)" would rapidly peak at #8 on the Billboard Top Albums chart. This 76 minute video is highlighted with a Gospel Medley, the Guitar Man Medley, and songs like 'Lawdy Miss Clawdy','Jailhouse Rock', 'Tiger Man', 'One Night', 'Memories' and the great finale number, 'If I Can Dream'. Even non Elvis fans will appreciate watching this. In a way it is like watching musical history...hell it is musical history.

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