Strong and Moving!

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The film never slows down or bores, plunging from one harrowing sequence to the next.

Movie: Rangrezz Rating: 4/5Rangrezz is simply a movie of such a grandeur that it deserves to be praised.I really liked this film as it touched my heart and also filled me with a lot of bravery and inspired me to be Rangrezz.If I would completely review this movie,I won't be able to describe in words.This is a movie with a social message for everyone, especially the youth.Although the film is a remake of The Tamil super hit Naadodigal,the film has the capacity to stand alone as a film.The music, performances, action, cinematography, VFX are all wonderful.That might add up to the reason why you should watch this movie .On the whole,Rangrezz is a perfectly made movie that deserves a watch by all.Go!Be Rangrezz!

Adapted from the Tamil film Naadodigal, 'Rangrezz' is a fairly interesting film, that has glimpses of power, but they aren't many either. An erratic Screenplay plays a spoilsport. 'Rangrezz' Synopsis: A lower-middle-class boy from Mumbai, drives to Lalitpur in Uttar Pradesh to help a friend unite with his girlfriend. Things take a unexpected turn when violence erupts in the middle of friendship & love. 'Rangrezz' begins superbly & the first-hour, does engage. The sequences work & you don't get bored for a minute. However, the second-hour disappoints. Even the twist in the tale towards the finale, doesn't arrest. The Screenplay has some merit, but its erratic. Priyadarshan's Direction is average. He's done better work before. Santosh Sivan's Cinematography is top-class. Performance-Wise: Jackky Bhagnani delivers an earnest performance in the central role. Amitosh Nagpal & Vijay Verma lend good support. Priya Anand looks cute in a bit role. Pankaj Tripathi is electrifying as the powerful politician. On the whole, 'Rangrezz' is a mixed bag.

Despite the fact that I am unaware as to what Rangrezz actually means although for all I am concerned it could have been named "a modern Bollywood classroom on moral values with particular emphasis on friendship, trust, recognition, and limits to family loyalty". Having said that, I must concur that Rangrezz is a much more nice sounding title.The story begins with the arrival of an old friend at the scene who proclaims his infinite love for a girl he totally loves that reciprocates his feelings but cannot have him as their parents are high profile people who dislike one another and so have arranged for them to marry other people. Being in the company of friends, this becomes a non- issue as they instantly plan a kidnapping of the girl, followed by a hiding plan so that the young lovers could elope as they please.The plot goes to plan in terms of bringing the couple together but the friends of the groom become seriously wounded due to the standoff with the girl's security team. The prolonged fighting sequence was not random; it was a fight of love versus arranges marriage, friendship over submission to family will, untamed spirit of youth versus the set ways of the older generation. Such struggles can be hurtful and so was the drawn out altercation served to our sense of vision.Again, those injured boys did not mind the pain they endured nor the loss of reputation they and their families suffered; for all they knew it was a worthwhile sacrifice in the name of both friendship and love, something they consider sacred. What did hurt them deeply was the lack of appreciation by those they tried to help.Watching this, it got me thinking on a rather personal level, in terms of a westerner experiencing an eastern culture, how harmful the extremes are. By this, a reference is made to family. In the west most relax, even sever, their links with the previous generation(s) upon reaching adulthood which has not done our societies a lot of favour; lack or role models combined with fear of commitment has caused a widespread desolation. In India, the family links are so close that they cause asphyxiation since the parents take for granted that they are always in charge of their children's lives with absolutely no regard for their needs or aspirations. Again, no form of slavery is advantageous for all concerned as people think they are meant to be victims until they become parents so that they can freely victimize others.Although this will not be remembered as one of the great films (there were noticeable flaws), still the simplicity and charm in which it conveyed both a message and emotions will, in my mind, make it stand out from many other recent Bollywood films.

Score 7/10 Director Mr. Priydarshan is able to dig out the comedy very easily even without dialogues and he proves himself again. Story line is good and new. Screenplay is so so, sometimes it becomes illogical. Dialogues are OK. One major problem in script is that they badly fail to convey U.P with dialogues or scenes while U.P is the integral part of script. Even they choose the name of characters, which are very urban, i.e Joy, Jasmeen. Even, I am unable to understand the connection between Title of film and content. Art director also fails to establish the Uttar Pradesh badly on screen. Coconut stall, Bhajiya, cutting Tea, don't belong to U.P at all. Even the locations very apparently reflect South. Performance wise Rajpal Yadav (as Man sigh)is fantastic. He makes you laugh, with even his body language. Vijay Verma (as Pakya ) is also a very fine actor. He has done very good work in comedy as well as in emotional scenes. One other friend of Rishi is also fine. Jacky Bhagnani (as Rishi)is OK but he has improved from his last movie. Pankaj Tripathi (as Jasmeen father) is OK. The dialogues of the mother of Joy are very well good but delivered very badly. Music by Sajid-Wajid is good.