Now that too. As soon as the model Bavarian Toni Freitag has properly integrated his son-in-law Osman, daughter Franzi drags an uninvited boarder from Berlin - in the person of her mother-in-law Farah. Unfortunately, good Toni gets along with the quick-witted businesswoman like cats and dogs. Servus. The fact that Farah has left her stubborn "Pascha" Mesut and her wedding dress shop and wants to stay indefinitely also shakes the ideal world of the reigning shooter king. His wife Anne soon showed a rapidly decreasing willingness to keep his back in the family and in the company as before.
Reviews
A lot more amusing than I thought it would be.
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
A story that's too fascinating to pass by...
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
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