The Newest Olds is the second installment in Argentinian filmmaker Pablo Mazzolo’s cinematic diptych exploring the natural and urban environment within and surrounding the border region of Windsor–Detroit. Completed seven years after the release of Fish Point (2015), Mazollo’s revelatory study of light and landscape that animated the deciduous forest harbours and rare ecosystem at the southeastern tip of Pelee Island, The Newest Olds transforms Detroit’s iconic cityscapes, dislodging buildings from their foundations and collapsing the physical, political, and sensory boundaries between Canada and the United States through alchemical, in-camera, and optical printing techniques.
Reviews
Such a frustrating disappointment
One of my all time favorites.
It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
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