This documentary follows the cast, crew and staff of the world-famous Public Theater as they prepare to mount an all-black adaptation of Shakespeare’s “Merry Wives,” at the open-air Delacorte Theater in New York City. Contending with the ever-present threat of COVID-19 and one of the rainiest Julys on record, the production marks the return of live theatre following more than a year of closures in the city.
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Reviews
Absolutely the worst movie.
Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
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