Two novice thieves are plotting to rob a bank in Vancouver. A photographer snaps a shot of one thief as he is carrying the bank building's blueprints. The would-be thief then begins a relationship with the photographer and attempts to retrieve the photos. Meanwhile, the thieves' plot consists of this: one man will enter the bank building after dark, while the other man sits in a van and uses a computer to unlock the building's doors. The final step involves transporting the cash to a freight ship waiting on the docks, for transportation to a money launderer in Macau.
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One of my all time favorites.
It's no definitive masterpiece but it's damn close.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
The best films of this genre always show a path and provide a takeaway for being a better person.
A lighthearted heist movie with a lot going for it. First of all, the chemistry between Donald Sutherland and Brooke Adams is terrific. He plays criminal master mind Reese who's planning to break into a new bank, which is just being built in downtown Vancouver. While stealing the plans to the building he's accidentally photographed by Stacey (Adams). He looks her up, trying to get the negatives, and he falls in love. This puts a little bit of strain on his relationship with his partner in crime Norman, beautifully played by Paul Mazursky.Almost everything in this film has a relaxed feel to it. Conflicts are mostly resolved rather quickly and the story just sort of breezes along, with beautiful Vancouver locations. There are a couple of suspenseful scenes, when Reese and Norman are nearly caught, but mostly this is not about the heist itself, but more about the people who perpetrate it. As a comedy it offers no outlandish gags, but there are a lot of wonderful scenes, most of them involving Norman being a nervous wreck or Adams being way too cute.I thought it was a very pleasant surprise.
This is the typical heist movie made during the seventies. A comedy one, romance mixed up with thriller. Don't expect the unexpected. No surprise at all. But Donald Sutherland is wonderful, as usual. The heist itself is too rapidly executed. Too easily. I expected much more from this movie. And it seems that the director was not only Noel Black but also Jack Cardiff himself. I don't understand what that means...Cardiff is not credited but the dictionaries and IMDb notes indicate that the great director of photography of so many masterpieces made this feature. So...It is nevertheless a rare movie. It's hard to catch it. But I think it is now available on DVD, in department stores.Up to you, if you like this kind of movies.
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