As a youth, Eddie came into the town with his gang to rob the bank, but was caught and convicted. Marshal Ben helped him to become a honorable citizen. Now, many years later, the gang returns to again rob the bank. On their flight they shoot the Marshal. Eddie is the only one to identify the murderer - but is in doubt if he shall be loyal to his new or his old friends.
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Don't listen to the Hype. It's awful
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
The best films of this genre always show a path and provide a takeaway for being a better person.
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Excellent directing and production with realism and acting skill resulted in this stellar performance
The western "Good Day for a Hanging" isn't one of the better westerns to come out of the 1950s, but western fans should find it an okay viewing provided they are prepared for some flaws, particularly some familiar elements. The biggest problem with the movie is that the story for the most part feels straight out of a episode of a western television show from the same period. Yes, there's color and better production values, and it runs longer than an hour, but until near the end this story has echoes of TV westerns.I will admit that towards the end of the movie, there are some interesting and unpredictable elements that make the story end on an unexpected note. And while the movie up to that point may be predictable at times, it all the same remains buoyant. The plot thread of the townspeople slowly losing their taste for the upcoming hanging is interesting. Fred MacMurray does make a good lead, possessing a likability even when events start to turn against his character... and change his character. And Robert Vaughn does well as the accused prisoner, showing a sympathetic side while simultaneously suggesting he might be hiding something... or is he? Not a perfect western, as I earlier pointed out, but it is serviceable.
Good Day for a Hanging is directed by Nathan Juran and adapted to screenplay by Daniel B. Ullman and Maurice Zimm from the story The Reluctant Hangman written by John H. Reese. It stars Fred MacMurray, Robert Vaughn, Joan Blackman, Margaret Hayes, James Dury and Wendell Holmes. It is filmed in Columbia Color with cinematography by Henry Freulich. After claiming his daughter's childhood sweetheart killed the marshal of Springdale during the aftermath of a bank raid, the new marshal, Ben Cutler (MacMurray), finds himself in conflict with his family and the townsfolk who question the motives of his testimony. Good Day for a Hanging is one of those films that you feel that with a few tweaks it could have been a bona fide great 50s Western. As it is, in spite of some viable complaints from those who have bothered to review it, it's still a hugely enjoyable broody Oater. Film hinges on MacMurray's moody and stoic performance. Ben Cutler finds himself fighting a lone battle in getting outlaw Eddie "Kid" Campbell (Vaughn excellent) on to the gallows. Campbell's standing in the town is high, he's fondly remembered and after laying on a truly heartfelt plea of innocence during the trial, practically everyone is convinced that he is innocent, even the members of the Cutler posse who were there when Campbell gunned down the old marshal! And with those closest to Ben also firmly against him hanging Campbell, he is being pulled apart emotionally. It's a nicely etched turn from MacMurray, full of inner torment and believable bravado. Juran constructs some very good passages in the story, the opening robbery is very tense, the court case deftly handled with its observations of how manipulation of the law can happen, and the building of the gallows outside Campbell's cell - and the subsequent morbid interest of the townsfolk - really puts an edge on proceedings. Unfortunately the final outcome to the excellent mood building is undone by an unconvincing turn of events, and it feels very rushed. It's a shame because it just needed someone to step forward and suggest changing the ending from that of the source material. You have to think that the likes of Boetticher and Mann would have put a different spin on it. Still, and I note and agree that some of the dialogue is out of time for the era, this is way above being an average B Western. At the time Variety wrote in their notices that the colour wasn't right for the tone of the picture. To some degree I agree that shadowy black and white would have worked a treat, but in this High Def age you can really see the benefits of Freulich's photography, it's beautiful, but I viewed it from UK TCM HD Channel, which invariably means I'm seeing it different to those in 1959! I fully endorse this to Western fans who haven't seen it, and especially to MacMurray and Vaughn fans. It has problems, and yes it's kinda like a poor man's version of High Noon - Ruth (Ben's love interest played by Hayes), even suggests that Ben throw his marshal badge in the dirt - yet it's a mature throwback well worthy of viewing investment. 7/10
I feel that "A Good Day for a Hanging," (1959) is an above average western. I was somewhat pleasantly surprised by this movie, overall. For about the first 2/3s of this movie, I thought it was leaning in the direction of the liberal left. Towards the end, however, I was thinking, "Maybe not." As it turned out, it showed how law abiding citizens can be easily duped by the wrong type of people. The killer, (Robert VAUGHN) who went to trial for murdering the marshal (Emile MEYER), wasn't very interested in his girlfriend (the new marshal's (Fred MacMURRAY) daughter) while he was holding the getaway horses while the bank was being robbed. But, when he was in jail awaiting execution, he acted very blubbery towards her, obviously, because he wanted her to smuggle in a gun to him to aid in his escape. When he hit her at the jailbreak, this may have knocked some sense into her. This killer's girlfriend then turned herself around by warning the marshal (MacMURRAY), thereby saving his life. The doctor, (James DRURY) seemed a little hard nosed for a doctor, but more in my line of thinking.One point that wasn't stressed that , perhaps, should have been, even if Robert VAUGHN didn't actually kill the marshal, he could have been held as an accessory to murder, which would have made him equally guilty. I'm not sure how the law read back in those days.