Lawrence Abu Hamdan finds in a former GDR state radio station a perfect conduit for his ongoing cinematic interrogation of the political dimensions of sound. Centered on a series of court cases that used auditory or sensory evidence based on information gathered through walls, the film is staged within two soundproof booths, in which a live narrator recites witness testimonies while projected text and images create organic superimpositions. It’s an exploration of the fundamental abstractions of seeing and listening.
Reviews
It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
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