Sinfonía para Ana

July. 27,2017      
Rating:
6.9
Trailer Synopsis Cast

Based on real events, the life and struggles of a student of the Buenos Aires National College during Argentina's worst dictatorship.

Rafael Federman as  Lito
Rodrigo Noya as  Capi
Vera Fogwill as  Madre de Ana
Manuel Vicente as  Profesor de Historia
Mora Recalde as  Isa adulta
Sergio Boris as  Padre de Lito
Juan Luppi as  Celador
Malena Villa as  Vivi

Reviews

Ehirerapp
2017/07/27

Waste of time

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Smartorhypo
2017/07/28

Highly Overrated But Still Good

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Pluskylang
2017/07/29

Great Film overall

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Executscan
2017/07/30

Expected more

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maria-ricci-1983
2017/07/31

For those who have lived through this somber chapter of Argentine history, i.e. the cruel, repressive dictatorship who perpetrated State terrorism against civilian citizens in the late 70s and early 80s, watching this movie might be an extremely painful, vivid and heartbreaking exercise of political memory. For those who have not, it will be an equally sad, vivid and heartbreaking exercise on LatinAmerican recent history, from the narrative standpoint of a high-school girl engaged in political activism.At the cinemas, people sob and weep in their seats as the film comes to an end, and as they leave the halls they don't care to hide their tears, shed for the bitter, sad memories but also for the fearful perspectives about human rights which, 40 years later, now seem to loom again on their country's horizon, with the supression or persecution of dissident voices, and the illegal intrusion of armed forces in high-schools and universities. The spontaneous remarks in this regard voiced by viewers as they leave the theatres may surprise the tourist spectator, but they also highlight the deep impact the film has on local public. Both directors have made a great job at portraying a realistic and truthful story, in an effective, rich middle ground between documentary and introspective fiction. Hard to watch, but beautiful and well performed. If you have the chance to watch it, don't miss it.

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