Delusion

January. 23,1981      R
Rating:
4.5
Trailer Synopsis Cast

Meredith Stone, a home care nurse, has been assigned the duty of looking after a wealthy invalid named Ivar Langrock. Cooped up in Langrock's stately country mansion, Meredith quickly suspects that someone sinister is lurking in the manor's dark halls only to discover that Ivar's demented and violent son has been locked away in a hidden room. Shortly thereafter, Ivar's grandson Gabriel also moves into the house and with his arrival a mysterious killer soon begins murdering members of the Langrock family along with their live-in staff.

Patricia Pearcy as  Meredith Stone
Joseph Cotten as  Ivar Langrock
David Hayward as  Jeffrey Fraser
John Dukakis as  Gabriel Langrock
Alice Nunn as  Duffy
Patrick Pankhurst as  Wilfred Langrock
Abraham Alvarez as  Alex
Simone Griffeth as  Pamela Barton
James Purcell as  Detective

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Reviews

TaryBiggBall
1981/01/23

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

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Catangro
1981/01/24

After playing with our expectations, this turns out to be a very different sort of film.

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Ella-May O'Brien
1981/01/25

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Juana
1981/01/26

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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MartinHafer
1981/01/27

"Delusion" is a slasher film...and I rarely choose this sort of movie to watch. It's not totally mindless, keeps you guessing and isn't altogether awful!When the film begins, Meredith (Patricia Pearcy) arrives at a mansion to become the new nurse for an elderly invalid (Joseph Cotten). The job seems pretty easy and she fits in well. However, when the old man's weird grandson arrives, things start dying...starting with the family dog but not stopping there! Who's behind all this...and are the confusing plot elements going to make sense by the end of the picture?The film suffers a bit from Pearcy's zombie-like performance during much of the film. It also occasionally makes little sense...such as why the police aren't more alarmed with all these deaths. But it does offer plenty of false leads, dead ends and twists and so if you like this sort of film, it will fit the bill. I respect what they did with this picture, though I wasn't especially thrilled with seeing it.

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Rich Wright
1981/01/28

You know, despite my general low ratings of them, there's something strangely addictive about early 80's slasher flicks. You know... people potter around aimlessly for ages, before the soundtrack stops and you just KNOW they're about to be incapacitated with a knife/hook/chair leg (Delete where applicable). Even here, where it seems to take FOREVER till the first death (And that's a dog), most of the victims are taken care of by a simple WHACK to the temple (Not very scary, that) and there's an implausible TWIST at the end (Which gets more stupid the more you think about it) it's all rather endearing.It was made with love and affection, by a director who shoots far too many scenes in the dark and doesn't have a clue about building suspense, and a writer who, apart from the pretty leading lady, writes dull characters and sets out the most boring set-pieces for murder imaginable, before that incomprehensible conclusion. If this movie was a child, I would give him a pat on the back for effort, then stick a D cap on his head before sending him to the back of the class. AND make him stay for extra homework... 3/10

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HumanoidOfFlesh
1981/01/29

An attractive nurse named Meredith moves to the Langrock estate to take care of her patient:a crippled old man.She falls in love with sixteen year old grandson of Langrock named Gabriel,who returned from some kind of desert commune.A series of brutal murders in the gloom of the night is set in motion...Slow-moving but well-made and competent psycho slasher that often drags.The death scenes mostly involve head bashings and are pretty bloodless.I liked the main performance of Patricia Pearcy as I remembered her from Jeff Lieberman's "Squirm"."Delusion" is worth checking out for completists of 80's US independent horror.6 out of 10.

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lemon_magic
1981/01/30

To be fair, I have to admit to something up front: just before e I saw "Delusion/The House Where Death Lives", I happened to see the original "Texas Chainsaw Massacre" for the first time at a midnight movie showing. TCM knocked my socks off, and I was hungry for more rousing, scary movies that I had never heard of. In my naiveté, I assumed that "TCM" was only the tip of the iceberg, and that there many more, dozens more, as good or better, if only I were able to track them down. So when a friend and I saw this was playing at a local movie house (since gone under), we decided to take a chance, even though we'd heard nothing about it and had no idea where it came from. My reasoning was: I'd never heard of "Chainsaw" before I saw it, and it was great. I'd never heard a single thing about "Delusion" either. Therefore, it might be great, or at least interesting. The fact that absolutely no one else bought tickets for our showing should have clued us that there might be a problem, but alas, it did not. 40 minutes into the movie, both of us were sitting slumped in our seats, unable to move, brought almost to the edge of death by the boredom and sluggish pacing and dead-weight performances of this movie. I am not kidding. We both later agreed that the sensation was not unlike being drained of blood while floating in a quagmire of cooked farina. While the movie was playing, no hope or joy or animation was possible. summoning the energy to talk back to the screen or hoot in derision or make wisecracks was inconceivable. The movie went on and on and on, and nothing happened, and nothing happened, and then there was a moment where a guy was stuck in a storeroom and was scared and yelling and it was almost exciting, but then he got killed and the movie went back to being an exercise in excruciating boredom. Because we were young and vital (20-year-olds), we managed to hang on until the credits rolled. And once the movie stopped sitting on our heads and trying to kill us, we were able to summon enough energy to leave the theater and, eventually, to get on with our lives. I know I am not being fair to this movie. I went in hoping for the visceral thrills of "Texas Chainsaw Massacre" and got something entirely different, and HWDL suffered greatly in comparison to my 20 year old tastes. (Perhaps if it had appeared as "Delusion" instead of the alternate title, my expectations might have been different.) And I certainly wasn't used to dubbed movies or moody Gothic pieces.So if I were to watch it again (say, catching it on cable), I might have far more tolerance for the movie than I did in 1980. But I will always remember the way "The House Where Death Lives" seemed to suck the life right out of my body.

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