Good movie but grossly overrated

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The film makes a home in your brain and the only cure is to see it again.

I thought this movie had a decent pace,enough in the plot,that it kept my interest. The acting was very competent. Naomi Watts is a very good actress,even in a co-starring role of a girl in a wheel chair,who feels her only chance in life, is to rip off some drug dealers,so she and her sister can make a better life. Joe Montegna ,is an under rated actor,he does very good work when given a decent role to play too. Over all,this is a decent movie,rent it,see it on cable,or online (legally of course). If you want to make a at home double bill on the theme of double dealing crime noir,add No Country for old men,to the double bill.

I first saw this on cable many years ago as it seemed to be replayed endlessly on HBO, Cinemax and Showtime, almost always late at night. Was quite pleasantly surprised upon the first viewing, and have seen it numerous times since.First a caveat: the villains are a bit too much like caricatures at times. (JT Walsh, always fine, is the exception.) However, though this is the weak part of the film these scenes are watchable, do not halt the momentum and there are some fine moments (like the shooting on the highway near the end).What really stood out for me though were the scenes between Mantegna and Watts. For anyone who has any familiarity with fate taking a dump on you and irrevocably changing your life for the worse, these 2 characters with their heartbreaking and compelling backstories will really move and involve you.The writing and directing is top notch in these scenes, and the performances are outstanding. (I've never seen Watts as good even in her more highly praised roles; BTW, I've also never seen her as beautiful and attractive, too). The way the backstories are presented are very realistic, no overdramatics here -- and I really like the fact that there were no flashbacks nor too many details given, only what the characters felt necessary or able to divulge.This is especially true for Naomi Watts' wheelchair-bound character. We can see how jaded she is from her suffering, but she never explicitly mentions the incident that caused her to be wheelchair-bound, which is how it would be in real life.I do not say this lightly: these scenes are some of the most poignant, absorbing and moving scenes between two romantic yet damaged characters that I've seen, at least in recent memory.Also excellent on this film were Kelly Lynch (never seen her better and rarely have I seen a heroin addict better portrayed), the soundtrack which I found haunting and evocative, and the crisp and beautiful camera-work.Unfortunately, the DVD version of this film does not have the best video transfer and is slightly grainy and subdued, so the cinematography can't be fully appreciated; the image transfer was significantly better when it was aired on cable, although I haven't seen it on cable in at least five years. Still very worth seeing and perhaps buying.Although there are better made movies out there as well as in my collection, this is one of the very few movies that -- if not the only one -- I find myself watching at least once every half year or so. I just wish they would air on cable again soon so I could see that better image transfer and record it on DVR.

I bought this movie on-line because it was cheaper than renting it. That said, with a cast lead by the likes of the ever-reliable Joe Mantegna and the under-used Kelly Lynch, and supported by Naomi Watts and John Favrau, my expectations were sadly high. This is nothing more than standard crime fare with double crossing and crazy drug killers and one nasty cop (the always great JT Walsh). However, beneath all that, lies a tender love story between two broken people who just can't take another heart break. I'm a sucker for a love story like this, and it works in no small part thanks to the talents of Mantegna and Watts. I'm glad to have it in my collection.

The plot of this film is rather weak, and too many of the supporting characters come across as cliches rather than real people. (If I never see another killer in a long, black raincoat on a hot day, I'll die a happy man).But Naomi Watts and Joe Mantegna both beautifully transcend this material, in a wonderful, understated love story. The usual histrionics of a paralyzed woman in love are left out, and instead we get some genuine, gritty dialogue, and the sense that there are two real people reaching out to each other. She is no blushing, helpless cripple, and meets him head-on, as when she asks him if he's one of those men who're drawn to women in wheelchairs, or who only get turned on by women who can't feel sex. Both actors put their all into this scene, without overplaying it, and draw you right into their story.The ending is adult, rather than trite, and avoids most of the usual cliches; unfortunately, not all.I found this an absorbing movie, and highly recommend it for a snowbound afternoon.