As Good As It Gets

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Director Edwin S. Porter ignites things early in Life of an American Fireman with little let up in this 1903 display of narrative filmmaking. Porter literally juxtaposes (early split screen) exposition before sounding the alarm for the smoke eaters to jump into action. After some firehouse mobilization we are treated to a stunning parade of galloping fire engines in what looks to be a twelve alarm fire. Arriving at the fire (actually more smoke) engulfed home the firemen battle their way into the house to save woman and child. Fireman has all the visual and circumstantial elements of suspense and action. It is the Towering Inferno of its day filled with human drama and in the balance moments. Porter's action is both non-stop and engrossing and if he needed any indication that this stuff had a future for making money he need look no further to the crowd quickly multiplying to watch the racing fire chariots in a top rate action film from this early period of film.

At Edison's Company, he experimented with longer films, and was responsible for directing the first American documentary or realistic narrative film, The Life of an American Fireman (1903). Though it's among the earliest story films (but by no means the first as often alleged), The six-minute narrative film combined re-enacted scenes and documentary footage, and was dramatically edited with inter-cutting between the exterior and interior of a burning house. Edison was actually uncomfortable with Porter's editing techniques, including his use of close-ups to tell an entertaining story. For action, excitement, & suspense, Life of an American Fireman rates awfully high, improving on all that went before, borrowing from what came before wherever it was already thrilling.

This short feature creates a pretty good sense of excitement and suspense. It seems to have been well-crafted, although the print is not always very clear now. It could almost be called a big-budget picture for its time, due to all the vehicles and equipment that they used in it.The first part of the film might be the most impressive, as the line of horse-drawn fire engines with all of their equipment race to the scene of the fire. The vantage point for the camera is well-chosen, and it does well in conveying the urgency of the situation. As it goes on to show the fire-fighters battling the blaze, the settings are believable, and they also seem rather detailed, although much of the detail is now obscured by the physical deterioration of the film.This was an ambitious effort for 1903. It still works well, and it is also an interesting look at the past.

THE LIFE OF AN AMERICAN FIREMAN is one of the earliest narrative films. It was made in 1903 by Edwin S. Porter. The extremely short film tells of the life of an American fireman. In the finale, he races to save a girl from a burning building.Arthur White stars as the fireman. The film is very fascinating, as it gives a look at a bygone era. It is fascinating to see horse-drawn fire trucks. And this was just at the beginning of the 20th Century!