Love and Anarchy
August. 24,1973Set in Fascist Italy before the outbreak of World War II, the story centers on Tunin, a farmer turned anarchist who stays in a brothel while preparing to kill Benito Mussolini. There he falls in love with one of the whores.
Similar titles
Reviews
Although it has its amusing moments, in eneral the plot does not convince.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
One of the worst ways to make a cult movie is to set out to make a cult movie.
An old-fashioned movie made with new-fashioned finesse.
Excellent movie. Fast-paced, witty, earthy, entertaining dialog that tells a compelling story. That coupled with excellent acting, great continuity, and an unconventional setting makes this movie a special entertainment event. The movie also dramatizes the life of those on the margins of society and takes the audience on an emotional ride, generously spiced with conflict, arguments, squabbles, reconciliations and above all comradeship and friendship as the story takes a group of otherwise unsavory characters and elevates them to the level of real, but unsung, heroes who, hiding behind their masks of moodiness and bravado, have consciousness and really do care and are willing to act on it. Can a foulmouthed prostitute and a half-deranged peasant be heroes? Is a brothel a legitimate setting for hatching political conspiracies? Are those who society usually despises capable of heroism? This movie is about love and heroism and shows that even the most downtrodden are capable of great acts of personal selflessness. Great movie.
Giannini at his best , a cult wertmuller movie that has been forgotten but it's a very good movie not only for Italian public but also for cinema lovers of all genres. it's the story of a poor man , Tunin which he must kill Mussolini during a ceremony. So he stayed for a couple of days in a house where there are women that offer sexual lends by paying. Tunin will fall in love with two of them and that will be negative for his mission. The excellent acting and the lina wertmuller's directing made this film a masterpiece and a realistic portrait of Italy of the '30. Giancarlo Giannini and Mariangela Melato are really wonderful and they show that Italian acting is at American level
I loved, loved, loved this film. This is Wertmuller's best film in my opinion.SPOILERS Tunin is a poor farmer from the south who decides he must take over the role of Mussolini's assassin after his older, anarchist friend is killed by the fascists in his attempt to assassinate Mussolini.Tunin meets his conspiratorial contact in a brothel, where she works undercover, so to speak. He also meets another prostitute with whom he falls in love. Wertmuller does a very good job with the romantic storyline as well.Although Tunin's first reason for assassinating Mussolini was that he "hates tyrants," he also was doing it to get revenge for his friend, but also he hoped that in this act he would "beome" someone. This story had a more universal theme of how people try to become "someone" when they feel like a "no one," and it also makes you wonder how many people there are that were like Tunin, trying to change things and failing to the point that no one even knew they had tried in the first place. Sadly, in the end, Tunin remains an unknown, and it is so sad, yet the ending is so well done, and I really think the original title is much more powerful than just "Love and Anarchy" because of the ending. At 10 o'clock in the morning, in via dei Fiori, in a well-known brothel... he is no one. I love Giancarlo Giannini, and he does a really good job in this film playing a different character than his usual Wertmuller characters.
Giannini is hilarious as a dim-witted hayseed anarchist, who, en route to assassinate Mussolini falls in love. An exuberant, vital, full throttle feast of a film, mostly set in a lusciously decadent Roman brothel, where Wertmuller, (who also wrote the very witty script) successfully directs the extraordinary (and excellently acted) characters through wild changes of mood, and juggles powerful politics, tender romance, horrible farce and tragedy with exceptional flair. Rotunno's photography is delicious; the unusually potent period atmosphere is splendidly captured by Enrico Job (Mr Wertmuller) and the music by Rota/Savina is perfect. Wertmuller at her most accessible.