Touches You

good back-story, and good acting

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

"Algie, the Miner" is an American 10-minute short from 1912, so this one already made it past the 100-year-mark and as such it is of course a black-and-white silent film. Even if you are probably not too familiar with the names of director Edward Warren and his cast here, then let me assure you that this is because the time passed ant not because of lack of activity as there are many people who are part of this film that had really prolific careers in the first half the 20th century. But despite this experience, this was not a good watch here. Making a film that successfully combines the genres comedy and western (and romance) is already pretty difficult by definition and back then the means certainly weren't there yet. The lack of a sufficient amount of intertitles is another big problem as I found it fairly difficult to understand what was going on. The lead actor here (Billie Quirk) had a bit of a Buster Keaton thing going for him I guess. All in all, not a disastrous watch, but still on a level where I would only recommend it to the very biggest silent fans. And even those won't be missing too much if they decide to skip this one here. I give it a thumbs-down.

During summertime, German aristocrats are lazier than ever, certainly in comparison with the rest of the year, natürlich. Laziness is unfailingly a part of the almost human aristocratic nature so to spare any extra effort during these hot and terrible times is important.Having in mind this important seasonal reason, last night was screened at the Schloss theatre a short film, namely "Algie, The Miner", a perfect film for a small soirée due to its brief running time that can be enjoyed in "petit comité" by any German aristocrat. This allows time to be spent on other trifling things while appreciating this archaeological oeuvre that was recently restored by some hard-working longhaired youngsters beyond the Atlantic sea.This short film was directed by the frenchified woman film pioneer Dame Alice Guy-Blaché in the silent year of 1912, and though it is somewhat primitive, it has interesting aspects as, for example, different settings ( filmed with a static camera, so don't ask the impossible... ) but with a perfect film continuity. It is the story of a mild man who must show he has the right stuff if he wants to gain the favour of his father-in-law and consequently be worthy of the hand of his daughter, showing in this way to the whole silent world his newly gained masculinity. Dame Guy-Blaché accepts the terms of that ancient and conservative era but in an interesting way.Careful bourgeoisie settings, coarse taverns in the wild West, different landscapes and a combination of comedy, adventure and quaint human conduct and it all wraps up in tens minutes, an interesting one-reeler that is perfect to be enjoyed during the lazy summertime.And now, if you'll allow me, I must temporarily take my leave because this German Count must lay mines around the Schloss in order to keep out the terrible tourist hordes.Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

This is, like most films of the day, a very short movie. At only ten minutes, it tells the tale of a very wimpy and rather effeminate man's change to manhood. Billy Quirk wants to marry a girl--and considering how he dresses and acts, it's actually a little surprising he wants her. But before he is allowed to marry the girl, he is told to go out and prove his manhood, so he becomes, of all things, a cowboy. Well, despite the impossibility of this task, he quickly proves himself and when he an his new-found friend arrive back home, the family is actually scared of the super-virile Billy, since he's now a tough hombre.This is an odd film because it really looks as if the producers are trying to say that Billy is gay (based on the way he dresses and because he kisses the first cowboy he meets) but the plot involves him wanting to marry a real live girl! An odd but very watchable film that's good for a few laughs. Some of the other reviews scored the film lower, but for 1912, this was a very good film--as I have seen several hundred very early films and this is better than most.

DEFINITE SPOILERS!!!! Algie (a VERY effeminate man) must prove his manhood to marry the daughter of a rich man. To prove this he goes out west and (after kissing two men on the cheek) is "taught" by Big Jim on how to be a man. This leads to utterly predictable "comedy". It seems hopeless but then Algie proves himself by saving Jim from being robbed and he goes home to marry his girlfriend.The story is silly, the comedy painful and the acting is WAY over the top even for a silent movie. But, in terms of gay characters, this is important. It's one of the first representations of a gay character on screen and (even though it's negative) it is historically important. Also Algie DOES prove himself to be a man at the end. The extremely effeminate mannerisms that Algie shows may offend some gay viewers, but it really shouldn't. It's just a sign of its time.