One of the most extraordinary films you will see this year. Take that as you want.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

The film never slows down or bores, plunging from one harrowing sequence to the next.

No secret that Columbia Pictures recycles old footage. Cowboy idol Charles Starrett as Steve Woods and masked champion The Durango Kid teams again with his sidekick Smiley Burnette. The plot is thin, but enough to sustain a Saturday morning crowded theater. Looking for gold in a deserted town, Steve and Smiley along with the Dusty Creek sheriff(Stanley Andrews)discuss the case of Bill Donner(George Chesebro), who double crossed his partners for their share of gold. Doris Donner(Mary Ellen Kay)is available, but has no clues to where the gold was hidden. The only one that knows is the aged Bill Donner, sitting in jail with the loss of his eye sight. Flashbacks (previous footage of Durango Kid movies)extend and holds STREETS of GHOST TOWN together.Other players include: Frank Fenton, Don Reynolds and Ozie Walters.

... and that's the case here. The story is told mainly in flashback as The Durango Kid (Charles Starrett) recounts the tale of a stolen stash of gold known only to blind outlaw Bill Donner and a child in which Donner confided, but is desired by outlaw Frank Fenton. The "ghost town" was once a thriving place, but Fenton ran everyone out of town by terrorizing the settlers, all so he could have the place to himself and eventually find the gold. There are lots of good action shots in this film mainly because about two thirds of the film is stock footage from past Durango Kid westerns. Only the ending shots and the scenes where Durango is recounting the tale are new footage. There are some macabre elements here you don't normally see in these westerns, such as outlaw Bill Donner locking his partners in the hidden vault with the gold and leaving them, now two of the richest men in the world, to die in a grave of gold. In another scene Donner is captured by Fenton's gang and then returns blinded. It is not clear whether Donner blinded himself so he could not be forced to divulge the location of the loot, or if Fenton did it out of meanness, and in this case, stupidity. If you haven't seen the past Durango Kid westerns and therefore recognize all of the stock footage, and you like westerns in general, you should like this one.

Streets of Ghost Town (1950) *** (out of 4) Surprisenly good, if very cheap, "B" Western from Columbia has Steve Woods (Charles Starrett) arriving in a ghost town where we hear about a legend involving a hidden treasure. It turns out that the only person who knows where the treasure is is currently blind, in jail and isn't telling his secret. This entry in the studio's Durango Kid series is actually the best I've seen for a couple reasons. For starters, this entry dabbles in quite a few horror elements including the heroes messing around with a skull early on and there are other elements including how dark some of the material is. Another thing that keeps this one entertaining is that all sorts of stock footage is used and I found it rather fun seeing how they used it for the story. This includes a rather amazing looking cattle stampede, which was perhaps the highlight of this film (I'm not sure which film it was originally in). Starrett seems to be a bit more energized here in the dual role but he also serves a third part as the narrator. Smiley Burnette is added here and manages to bring quite a few laughs including one sequence where he gets tired of his horse not doing what he says so he decides to just run himself. STREETS OF GHOST TOWN isn't going to remind you of John Ford but it's goal wasn't to be a classic. It was meant to be entertaining and I think it does just that.

By the time "Streets of Ghost Town" came out, Columbia was using more and more stock footage to keep expenses down, and it's quite evident here, particularly in those scenes with the voice over narration by Charles Starrett. The film also chews up a lot of time with endless back and forth riders on horseback and it's share of stampeding cattle. But for young matinée movie fans of the 1940's and '50's, this was the kind of action that kept all the young fans happy, both boys AND girls.I was intrigued by the location of the story, near Border Plain and the wild country of The Spur. That sounds really cool, but I wonder if there really is such a place; Google gives you over a million hits, and I don't have that much time. With the ghost town theme, I thought the picture would get a little more mileage out of Smiley Burnette reacting to ghostly phenomena, but there was only that single Donner appearance in the window, and not too scary at that.As for Smiley, he only gets to do one musical number in the picture instead of his usual three or four, in fact the first is done by Ozie Waters and his Colorado Rangers. Then there's that curiously named boy actor, Little Brown Jug as Tommy Donner; I really need to get to the bottom of that nickname. His real name, Don Reynolds is credited here, but I've seen pictures that list him only as Little Brown Jug.If you're a big time Durango Kid fan, you might think you've seen this picture before, there was a 1946 Durango film titled "Landrush", also taking place in 'The Spur', and having similar elements, right down to digging trenches to fight the fires set by the villains. My guess is that if you watched them back to back, the land rush scenes from the earlier film are recycled here. As far as other 'B' Westerns offering a 'ghostly' theme, I would recommend Lash Larue's "Ghost Town Renegades" from 1947, where the comedy antics are handled by Fuzzy St. John.