When the army insists on building a fort on Indian land, in defiance of a treaty, the warnings of a scout go unheeded.
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good back-story, and good acting
Better Late Then Never
Great movie. Not sure what people expected but I found it highly entertaining.
The acting is good, and the firecracker script has some excellent ideas.
As rugged Indian scout Adam Reed (Rory Calhoun) rides in the open country of Utah towards a US Cavalry outpost, he is stopped by his close friend, Cheyenne warrior Fire Knife (Lee Van Cleef). Fire Knife gives Reed a yellow tomahawk to give to the outpost commandant, Major Ives whom he and Chief Red Cloud call a "butcher" and hold mainly responsible for the Massacre at Sand Creek. That site is a real historical event (1864) where the US Cavalry killed over 100 Indians, most of whom were women and children. The yellow tomahawk is a warning – more than the Cavalry gave earlier to the Indian – for the soldiers to clear out of the planned future fort or face the consequences. The soldiers will be allowed to depart peacefully.On his way to the military encampment, Reed spots blonde and nubile Kate Bolden (Peggy Castle) bathing and swimming in a pond. They briefly exchange words; Kate tells him that she's from Boston. At the post, arrogant commander Ives (Warner Anderson) is adamant: he has no intention of leaving, even though the encampment is in Cheyenne territory. No lover of the Indian, Ives believes that the red men are dangerous to civilization. Ives gives women (and children) a choice whether to leave for Ft. Ellis or remain. Orders are given for the men to fortify the position. When preparations are being made, Reed tells Master Sergeant Bandini (Dan Riss) that advance pickets should be placed on the hills, and that not all of the men should be placed behind the barricades. Bandini agrees but explains to Reed that he is resigned to taking orders, whether he agrees or not. The Indians soon attack, and Ives' faulty tactics manifest themselves. When the violence ends there are only nine survivors: the major, a corporal, a private, a Mexican Indian scout Tonio (Reed's friend, Noah Beery Jr.), Tonio's Indian girlfriend Honey Bear (a lovely Rita Moreno), an army engineer/surveyor, a slimy prospector (Peter Graves) who has murdered his two partners for gold, blonde Kate, and Reed. Now the survivors must make the dangerous trek to Ft. Ellis and safety. Reed wants to keep the major alive at all costs so that he can stand trial (court martial) for provoking an Indian war. Along the way, their numbers will shrink, as will those of the attacking Indians. When Reed and Fire Knife have a parlay, the latter says he will let the dwindling survivors leave peacefully, except for Ives. Reed cannot accept this condition. So the trek continues until the inevitable conclusion.Director Lesley Selander has directed a nice, very well-paced western. The actors are well-cast, and are given an above average script. Some sympathy is given to the Indians, who are defending their tribal lands from encroachment. There are two twists at the end that involve Major Ives; they will not be revealed here. The western was shot in Technicolor but released to television in black and white.
I was a fan of Rory Calhoun back in the late Fifties when he appeared in the Western TV series lead role of "The Texan". In this picture, filmed in 1954, Calhoun looks almost a decade younger and exceptionally athletic. There was no reason to believe that he wouldn't fall for Peggie Castle's character, especially after she broke off her engagement with cavalry Lieutenant Bascomb (Patrick Sexton). She might not have survived network TV as long as Amanda Blake in 'Gunsmoke', but she sure did rival Kitty as one of the pre-eminent saloon keepers of the Old West in 'Lawman'.I never heard of "The Yellow Tomahawk" until it popped up on Encore Westerns last night, and it proved to be one of those rough cut gems from a half century ago. In addition to Calhoun and Castle, the other interesting casting decision made here was Lee Van Cleef in the role of Cheyenne warrior Fire Knife. You also had Peter Graves in the role of a renegade gold prospector who killed his partners for their dig, eventually proving to be a thorn in the side of Indian scout Adam Reed (Calhoun). But it doesn't end there - Noah Beery's on hand as a cavalry hand named Tonio Perez, and he finds himself fending off the advances of Nez Perce maiden Honey Bear. Rita Moreno is not quite convincing as the fawning young squaw infatuated with a grizzled old goat twice her age, and I kept wondering if Reed might cast an eye in her direction. Maybe he would have if she opened the picture swimming in the buff instead of Castle.The story itself gets downright brutal in a number of scenes, particularly the attack on Major Ives' (Warner Anderson) new fort under construction. Iron Knife puts an honorable face on things in his dealings with Reed, but ultimately you know that things will end badly. The finale is a bit of a twist, as Reed holds to his own principles just as dearly; the chief should have accepted the gift bow back when it was offered.If you're paying attention to the opening credits, you'll wonder as I did why 'Color by Color Corporation of America' heralds the start of a black and white picture. I guess I've seen enough films to not be surprised by such a minor detail, but it would have been cool to actually see the yellow tomahawk.
Feels just like Saturday afternoon at the movies. The ever popular Rory Calhoun plays Adam Reed, a Wyoming Indian scout, who has a strong bond with Fireknife(Lee Van Cleef), a Cheyenne warrior. Against a treaty with the Indians, the army decides to build a fort on their land. Reed is caught between both sides, but as predicted ends up in a vicious fight to the finish with Fireknife. The fetching Peggie Castle plays Calhoun's love interest. On the lighter side Noah Berry Jr. plays a Mexican that scouts for the army and falls in love with a beautiful Indian girl Honey Bear(Rita Moreno).This almost forgotten B western features a star-studded supporting cast: Peter Graves, Warner Anderson, James Best, Ned Glass and Robert Bray. Thank you Encore Westerns channel.
The 1950s was the decade of the message western, and this is a low budget version of the genre. But don't let the low budget (or the deterioration of the film negative) scare you away. This story about a bloody confrontation that is the direct result of a barbarous US general's attempt to occupy Indian lands is surprisingly brutal, sympathetic to the native Americans, and much more cynical about the inherent decency of those in power than one would expect from a movie from this era. Yes, if you look, you will find ample and annoying western movie clichés. Rory Calhoun and Rita Moreno are the recognizable stars here -- and they are playing types, rather than roles. (Rory is the scout raised by the native Americans, who is conflicted. Rita Moreno has an obnoxious role as the cute native American who has attached herself to Rory's Mexican sidekick). The reason to watch is plot, pacing, and, yes, the ending that you will not predict.Note. The film was shot in color, but TCM broadcast it in black and white. This looks like a film in bad need of restoration, particularly as much of it was shot against sagebrush that was actually in bloom.