Nice effects though.

I don't have all the words right now but this film is a work of art.

Fantastic!

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

"Rebel in Town" offers up an interesting character reversal with the portrayals of John and Nora Willoughby (John Payne, Ruth Roman), in that it's the wife's role to maintain a balance of composure and common sense when her only child is accidentally shot and killed when a trio of ex-Confederate soldiers makes it's way to the town of Kittreck Wells. One would expect the woman in the situation to become hysterical and call out for blind vengeance, but here she maintained the voice of reason long enough for the truth of the incident to reveal itself.The Mason clan was an interesting bunch I'd have to say. Led by Bible thumper Bedloe (J. Carroll Naish), the clan always took a vote when it came to important family decisions. Although I didn't catch any vote when Pa took a whip to bad boy Wesley (John Smith) for scheming against brother Gray (Ben Cooper). You know, I would have sworn that the part of Gray Mason was portrayed by Richard Thomas, except the math wouldn't have worked for the year the picture was released. Thomas would have been five years old, but if you pull up their pics on IMDb you'll see the resemblance.The movie eventually reestablishes your conventional norms by the end of the story, as John Willoughby realizes his wife's advice is sound and successfully dissuades the good folks of Kittreck Wells to lay down their hangman's noose. I always hate to see a young kid get killed in one of these old time Westerns, so that's my biggest downside for the picture. However it was satisfying that Pa Willoughby was vindicated, and didn't have to exact revenge with a restless gun.

Hollywood made a slew of so called "B" westerns during the 1950s, mainly black and white 80 minutes jobs meant to fill a second feature at the local theatre.....when I saw the top notch actors in this film I figured it would be worth watching and it was very good....John Payne, J. Carrol Nash, John Smith, Ben Johnson and Ruth Roman round out a very solid cast.....in a lot of these so called B westerns there were a lot of films about confederate soldiers on the run rummaging and pillaging so the plot was somewhat familiar....what set the tone for this film was the slaying of a young boy who was gunned down by a rebel coward, who thought that a cap gun going off was the real thing and he turned around in an instant and shot the kid dead...what follows are real character studies of the rebel family and their self righteousness about how a member of their family killed a little boy and the intense manhunt led by John Payne, the boy's father....Ruth Roman plays a very compassionate, caring mother while grieving for her dead son and tries to instill logic and a level head into her husband Payne who starts to lose his cool nearly every moment in the film.....Strange part to the movie when one of the rebel band is rounded up by Payne and brought to his house not knowing he was one of the rebel band....questions follow and soon Payne realizes his "guest" is part of the family that killed his son....a mob scene follows as usual and soon law and order is restored....in the end Payne nails the real killer (John Smith) in a knife fight in a barn as he tries to escape town....his father, J. Carrol Nash forgives Payne in the end for his son's cowardice..... Payne is reunited with his wife who was at the breaking point with her husband's blood thirst for revenge.....a solid, very worthwhile western, considering it was made rather cheaply by a small studio Bel Air productions..but released by United Artists.....

Rebel In Town is set in the post Civil War west where the surrender at Appomattox hasn't ended conflict in the minds of some. One of those is John Payne who was a Union Army major in the war, but now has settled back on his ranch with wife Ruth Roman and son Bobby Clark. Payne feels we've got a big law and order problem with a lot of former Confederates turning outlaws to survive and is the first to volunteer for any posse to track them down.But when the Mason family, J. Carrol Naish and his four sons come riding into town for supplies it's a recipe for trouble. When little Bobby Clark shoots at the family from behind with a cap pistol, one of the Masons turns and returns fire killing the kid instantly. The Masons beat it out of town.The rest of Rebel In Town concerns the actions of Payne and the rest of the town in apprehending the criminals and the Mason family who are torn with what to do.The Masons are a whole lot like the Hannesseys in The Big Country. The budget for the B western Rebel In Town is a fraction of what The Big Country was, yet William Wyler seems to have been influenced by the relationship of family patriarch Naish with the most reckless of his sons John Smith in creating the characters that Burl Ives and Chuck Connors played in The Big Country.As for Payne, he's in his vengeance quest persona, something not seen in him since his highly rated performance in the noir classic Kansas City Confidential.Rebel In Town is no frills B western with some nice performances from the cast. John Payne's fans will like his work here.

When an Ex-Confederate patriarch and his four sons stop for supplies on the run after robbing a bank, one of them gets nervous hearing a cocked pistol behind him and turns quickly, blasting a 9 yr old boy playing with a toy pistol. The murder of the child spawns hate and a blind rage for vengeance in the small western town. J. Carroll Naish has one of his best roles as the Bible-spouting sire of a brood of scum, trying to keep them in order. John Payne as the traumatized father of the dead boy gives an unnerving performance as a decent man who's become emotionally unbalanced. His uncertainty and mental disruption are almost palpable as his alarmed wife (Ruth Roman) desperately tries to stifle his increasingly homicidal personality. It's very unsettling to see Payne in this unheroic light...the difference from his usual demeanor draws a very convincing portrait of a severely unbalanced man. Ben Cooper (who usually plays a disturbed role) is uncommonly sympathetic here as the only member of the gang responsible enough to acknowledge guilt for the tragedy, even though his own life is at risk instead of his older brother's, the unrepentant perpetrator. This is definitely several cuts above your average western and sustains viewers'interest throughout. Highly recommended....