Let's be realistic.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

To all those who have watched it: I hope you enjoyed it as much as I do.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Streets of Laredo is directed by Leslie Fenton and adapted to screenplay by Charles Marquis Warren from a Louis Stevens and Elizabeth Hill story. It stars William Holden, Macdonald Carey, William Bendix and Mona Freeman. Music is by Victor Young and cinematography by Ray Rennahan.For fans of traditional Westerns this is as solid as a Brick Adobe Structure. A remake of The Texas Rangers (1936) of sorts, plot finds Holden, Bendix and Carey as three bad boys who get divided by circumstance, love and conscious. Two of them wind up in the Texas Rangers - the famed frontier law enforcement battalion - the other stays on the wrong side of the law. All roads lead to the day of reckoning...The production is the usual mixed bag of superlative location photography (Simi Valley/Gallup) and crude back projection so often seen in the 40s and 50s Oater releases, with Rennahan's Technicolor photography a treat for the eyes. Performances are assured because the three principal guy actors are given characterisations that suits them - Holden tough emotional anti-hero - Bendix a lovable and dopey toughie - Carey sly bad boy. Freeman is lovely but it's a dressage character, while Alfonso Bedoya is on hand for some stereotypical bandido villainy.At 90 minutes in length it feels a bit padded out until the two guys actually join the Rangers, so some patience is required during the first half. However, there is plenty of Western movie action within the story, some turns in plotting to grab the heart strings and a pleasing array of costumes and musical accompaniments to keep the senses perky. All told, it's just a thoroughly enjoyable Oater regardless of if you have happened to have seen the original version. 7/10

The film begins with three amigos robbing the stage. MacDonald Carey is the oldest -- a leader and bon vivant. William Holden is the younger member, soured on women. William Bendix is the comic sidekick. All three are likable rogues, not averse to being sympathetic and generous to others.Along the way, they pick up Mona Freeman, who has the role of "bobcat." She's sassy, dresses like a man, and wields a mean rifle. I kept waiting for the transformation in which she showed up in a pretty dress and appealing makeup. The transformation takes place 17 minutes and 22 seconds into the movie.During a chase by the villainous Alfonso Bedoya ("Gold Hat" in "The Treasure of the Sierra Madre") Carey is separated from the other two and strikes out as an outlaw on his own, until he tries to hold up a stagecoach carrying Holden and Bendix and guarded by Texas Rangers. MacDonald is subdued and stashed in the hoosegow, and Holden and Bendix join the Rangers, hoping to find a way to free Carey.At some points, the movie turns into the kind of recruitment story that was common during the war years, and I suppose that was the model the tale was built on. The Texas Rangers are an elite outfit who can "ride faster and shoot straighter" than anybody else. They're positively anxious to kill. The wall of Squad D is decorated with photos and pistols of the Rangers who have died in combat. The Captain who swears them in explains that he won't shake their hands until he finds out what kind of men they are. Holden and Bendix try to free their old friend but he decks both of them and gallops off into the sunset. His erstwhile companions get KP as punishment. (Is it familiar yet?) As the tale inspissates, Freeman develops a yen for the flippant Carey, despite Holden's sincere offer of marriage. I don't think I'll describe the ending.As is apparent, this isn't an outstanding Western by any means. It's full of stereotypes. Yet, as color Westerns from 1949 go, it's above average because some of the acting is quite good and the ambiguity of the relationships adds an extra dimension. I mean, yes, Carey turns into a bad guy, a murderer, but throughout, he's LIKABLE. The bond between the three men is palpable. Carey's desire to link up with the other two is genuine until it becomes clearly impossible. It's rather more than a simple good guy versus bad guy movie. In his Westerns of the 40s and 50s, Randolph Scott was always the "good guy," sometimes to the point of boredom. But this story reminds me of his best, "Ride the High Country," where we're never quite sure about the character's intentions. Adults may enjoy it more than the kids.

Paramount's remake of their own 1936 western "The Texas Rangers" has three small-time stagecoach robbers separated after tangling with a sniveling extortionist and his cohorts in 1879 Texas; two of the men inadvertently join the Texas Rangers and find that working for the right side of the law really suits them, while the third man becomes a notorious outlaw. Despite some confusion in the character motivations and loyalties, this is an astute, absorbing drama with beautiful photography and solid performances. Who would've ever guessed Macdonald Carey could be a worthy opponent for William Holden? Dressed all in black, with a smug expression and heavy-lidded eyes, Carey is a surprisingly formidable villain. Holden, despite several sigh-heavy movie star close-ups, is very convincing with a gun and a horse; his character's playing both sides, while also falling for tomboyish Mona Freeman, provides the heart of the story, and Holden is never less than exciting to watch. Extremely well-directed by Leslie Fenton, with fine supporting work by William Bendix and a bouncy score by Victor Young. *** from ****

Streets of Laredo is a remake of Paramount's successful Texas Rangers with William Holden, William Bendix, and Macdonald Carey playing the parts that were done thirteen years earlier by Fred MacMurray, Jack Oakie, and Lloyd Nolan. Color is added and if anything this is a remake that proved better than the original.Three amiable outlaws get separated running from a posse. Two of them Holden and Bendix join the Texas Rangers and Carey continues his outlaw ways. Carey also as the film progresses demonstrates that he's a good deal more vicious than when we first meet him.Between them they have a lot of adventures on both sides of the law. But it is inevitable that they are destined for a showdown.There's a nice performance here from Alfonso Bedoya, fresh from The Treasure of the Sierra Madre, as Calico another outlaw with a murderous protection racket.Bill Bendix though he's never bad in anything, is really miscast in a western. He's just too urban a type to be a convincing western sidekick. Holden is a year away from his breakthrough part in Sunset Boulevard, in Streets of Laredo he's in one of his 'smiling Jim' parts as the amiable good guy. He fit those parts well, but he never would have had the career he did had he stuck to them.Western fans will definitely like this one, enough action and gunplay for any fan of the genre.