Good movie but grossly overrated

Absolutely Fantastic

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The previous Dr. Mabuse movies were mostly mystery thrillers but this movie is more of a crime thriller, also with some certain '60's funkiness added to it all. The movie is more starting to head into the 'James Bond' sort of direction with this entry, also by having some silly gadgets in it, used to murder people with. It also all means that the story is less believable and even a bit silly, compared to the previous Dr. Mabuse entries. In the movie it's also kept a mystery for long who Dr. Mabuse is and he's mostly featured in shadows and underneath masking clothes, though if you've seen the previous "Die 1000 Augen des Dr. Mabuse", which got released only just one year before this movie, you already know who Dr. Mabuse is and how he looks like, so it just seems a bit silly all and in some ways this movie is just basically more of the same, compared to the previous Dr. Mabuse entries, especially the last one "Die 1000 Augen des Dr. Mabuse". There unfortunately also are some unnecessary plot lines and characters. Or differently put; some characters and plot lines we just don't care about!All of the action and especially the editing of it all looks by todays standards terribly outdated and clumsy. But who can really blame them. Action movies and action-style was basically still non-existent in 1961. Then again, the movie also isn't too action filled. The movie at least doesn't lay its emphasis on it and rather relies on its script and the thriller and mystery elements in it.The overall style and atmosphere is great. It has a sort of dark, mysterious atmosphere, that is being enhanced by the fact that the movie was shot in black & white. Perhaps the only true thing that all of the Dr. Mabuse movies have in common (with the exception of "Dr. M schlägt zu" that was shot in color). Because lets face it, the Dr. Mabuse movies from the '20's, '30's and '60's are all quite different in style, approach and overall execution of it all, simply because of the different time periods the movies got made in. Also the character of Dr. Mabuse changed and the Mabuse in this movie does not operate the same as the one from the '20's and '30's. But that's OK all. It sort of gives each Dr. Mabuse movie its own identity and also makes sure that all of the movies are still filled with surprises. The character of Dr. Mabuse himself also doesn't get any weaker because of it.The presence of the character of Dr. Mabuse of course really uplifts the movies and makes the movie much better than just any other average thriller from the same period. It's a great villainous, classic crime character, with lots of power over people.Gert Fröbe is not as great in this movie as he was in "Die 1000 Augen des Dr. Mabuse" and it's of course also a bit weird and confusing that he this time plays a totally different character as he did in the previous entry "Die 1000 Augen des Dr. Mabuse" (same goes for some other actors within this movie, such as for instance Werner Peters). But of course that doesn't take away that he still gives away one fine performance. Wolfgang Preiss reprises his role from the previous Dr. Mabuse movie again and does a good job at it, though I was his role was bigger.Not that great when compared to the previous 3 Dr. Mabuse movies but on its own this is simply a good and certainly enjoyable early crime thriller.7/10http://bobafett1138.blogspot.com/

I had heard that Gert Frobe was a pretty good actor. Most of us remember him in "Goldfinger," of course. He plays a multi-dimensional police detective who must pursue the wily Dr. Mabuse (whoever he might be). Working with a man imprisoned for his experimentation, a series of alleyways and twists and turns, leading to prisons, narrow escapes, and death, Frobe stays on the path, even though he doesn't seem to be respected by his adversary. The scientists daughter becomes a pawn in the game and complicates things. The pacing is pretty good and there are some surprises. And, as we know, super villains aren't all that easy to kill. Still, I liked the low key performance of Frobe and the way he is never intimidated by his discoveries.

One of the better Mabuse-films of post-war West-Germany. Of course, none of these films came even close to the famous Mabuse original from the 20-ies. Dr. Mabuse is a mad scientist who uses his power to control and manipulate other minds. He is difficult to track and has the unpleasant feature of killing someone or lancing a coup in the most unexpected places and times. Usually, he uses devices as electronic mind-manipulators or hypnosis and has a gang of criminals at his disposal who carry out his orders and usually don't even know that their leader is the feared Mabuse. In the Dr.-Mabuse-sequels he was killed or hunted down several times but only to escape with mad genius and to appear another time. What makes this film interesting is the style and the scenic decoration with which the dark emotion and the mysteriousness are displayed that Dr. Mabuse implies. Supporting the mysterious atmosphere is that the film is made in black-and-white and the use of light has more effect on the atmosphere, although it is sometimes to theatralic. Some creepy details are remarkable for example masks or busts standing in a psychiatrist's office that contribute to the morbide background. Mabuse should be perceived like an unstoppable ghost - a task that has been very well accomplished. It has some kind of psycho-atmosphere - you can trust no one (maybe Mabuse has just manipulated your girlfriend's mind or a bling beggar is killing you on the street). The actors of this film are fairly unimpressive especially the unbearable Lex Barker who doesn't fit in this movie at all. The sole exception is the grummy Gert Froebe who plays the commissar once again and (for native-germans) can work with his saxonian dialect as well as putting his large body in police-like behaviour that is fun for anyone to watch as he is the only serious actor in this movie. Measured with international standards this film is a mediocre and unimpressive work and certainly not remarkable. But for german cinema it has a traditional connection with the Edgar-Wallace-movies that appeared at the same time. The Doktor-Mabuse-films use the same methods to create mystery, crime and psychological fear. Almost all of them are made in black-and-white and share the same pool of german actors that emerged in the 50-ies and 60-ies. This film is more interesting for someone who likes these pseudo-thrillers (as me) as for someone who wants to watch a serious movie. This film distinguishes itself as it is one of the more serious of the Mabuse-series with the plot being more conclusive and the solution of the case being more believable. And Gert Froebe's acting is noteworthy as it enriches this more or less pale movie.

Own laws are valid for criminal-genious Dr. Mabuse ( Wolfgang Preiss ). Inspector Gert Fröbe is being helped or disturbed by Lex Barker. The team, director H. Reinl and Lex Barker continued their work at Winnetou. The Westgerman-criminal-era started in the late 1950ies up to 1970. Famous were the many Wallace-criminals, but Dr. Mabuse is more unique with great Preiss and contains action and disport.