I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

When the film begins, a young girl, Susan, is attacked and raped. Suddenly the film jumps ahead many years and you learn, through some clumsy exposition, that for the intervening time Susan (Barbara Parkins) has been in a mental institution. During the first two years of this stay, she was catatonic and now she has suppressed the identity of her attacker. Through the course of the film, it's obviously folks are screwing with Susan's mind....and here is where the film gets VERY bad. She supposedly sees a dead person...and then conveniently faints. When she is awakened, the dead man is gone and no one else has seen him. A bit later, she sees another dead guy and runs away to tell others...and when she returns this one is gone as well. In fact, this sort of silly thing seemed to happen again and again. This is so clumsy and stupid and really took a decent story idea and relegated it to a sub-par made for TV film and nothing more. By the way, as a retired psychotherapist, the notion of anyone completely blocking out the identity of their attacker is a bit tenuous. It seems possible, at least temporarily, but it a plot device way overused in films. Also, if Barbara Parkins seems familiar, she's one of the folks who starred in "Valley of the Dolls"--a truly awful and stupid (but thoroughly enjoyable) bad movie of the late 60s.

I just found a copy of this classic 1970's chiller on ebay. To my surprise, it is just as effective watching today as I remember seeing it as a child. There are many genuine thrills and chills as Barbara Parkins plays a young woman returning to the creepy mansion where she was traumatized as a child. Barbara Stanwyck plays her mother. Both actresses, fresh off their respective 1960's TV series' "Peyton Place" and "The Big Valley," give excellent performances. Parkins was an underrated actress and is truly memorable in her role of the terrorized girl. She is also very beautiful. Stanwyck is dignified and elegant and this film is a reminder of the great talent that was hers. This movie is a forgotten gem. It would be great to see it released on DVD someday.

The plot of A TASTE OF EVIL is a pastiche of cliches. Stop me if you've heard this before: A young woman, raped as a child and just released after years in a mental institution, comes home only to find herself seeing and hearing things that prove elusive when she summons witnesses. Is she still mentally unfit? Cue heroine waking up to thumping noise, wandering through darkened mansion, finding open window with shutters banging against frame and curtains billowing in gale-force winds. In fact, thunder storms and billowing curtains are repeating motifs in this unimaginative film. Drag in dog-eared scenes involving rustling bushes, haunted voices calling, a dimwitted butler who may or may not have been the girl's rapist, shadowy figures standing in the yard, disappearing corpses, a treacherous relative's inheritance-lust, etc. Even a plot this hackneyed can be revived to a certain extent, but "A Taste of Evil" is just uninspired through-and-through. Director Moxey reused these hoary story elements to better effect a decade later in NO PLACE TO HIDE. Still achingly familiar, at least that film was considerably more suspenseful, and contained one or two surprises."A Taste of Evil" is efficient enough within its very limited aspirations, and Stanwick makes an impression in her role, but the film still several notches below the high standard of numerous made-for-TV suspensers of the seventies.

TASTE OF EVIL is a wonderful suspense film from two horror masters. The director John Llewellyn Moxey, who directed such great horrors as: Desire the Vampire, Killjoy, No Place to Hide, Home For the Holidays, and the famous TV film The Night Stalker, all made-for-TV movies. The other horror master, writer Jimmy Sangster, who wrote excellent horror for: the TV film GOOD AGAINST EVIL, TV film SCREAM PRETTY PEGGY, many Hammer Horror films and the most famous and scariest KOLCHAK: THE NIGHT STALKER episode, HORROR IN THE HEIGHTS. I'm glad I have this film, it is fantastic!SUMMARY: At a young age, Susan Wilcox (Barbara Parkins), is traumatically raped and goes into shock. She is taken to a mental institution. Many years later, her mother Miriam Jennings (Barbara Stanwyck) takes her home to their gigantic mansion. While home, Susan sees her stepfather, Harold Jennings (William Windom), dead and his dead body floating around the house. However, Harold seems to be on a business trip and phones home everyday. Is Susan going crazy and why are there more dead bodies piling up? What is the secret of Susan's homecoming?I love the setting in the creepy old mansion. The dead bodies give me the creeps. I really love this movie. The acting is so-so, Barbara Parkins does the best. RECOMMENDATION: Scream, Pretty Peggy. *** 1/2 stars, 9/10. SEE THIS MOVIE IF THE CHANCE COMES UP!!!!!!