Simply A Masterpiece

This movie was so-so. It had it's moments, but wasn't the greatest.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Pat Boone plays a popular male crooner (with the silly, generic name of Andy Paxton) who is callous to his estranged wife and indifferent to their baby boy, but who jumps into action once the infant is kidnapped for a ransom of 200 G's. Whether he's resisting police lieutenant Jack Klugman's help or comforting stressed spouse Barbara Eden, real-life vocalist Boone turns in a surprisingly strong performance; he handles the s.o.b. stuff at the beginning quite well, and his on-stage numbers are flawlessly rendered. Klugman and Eden are also solid, which is a good thing because the midsection of this melodrama is definitely not. Rod Serling, adapting Whit Masterson's novel "Evil Come, Evil Go", writes some crisp, crackling dialogue--but the trouble is, there's too much of it. Serling forgets that a heated crime scenario such as this has to flow with a little action. Things get bogged down once Boone suspects one of his entourage of the kidnapping, doing his own detective work in-between bouts of the bottle. When the tense climax finally arrives and one is filled with questions pertaining to motive...Serling suddenly clams up! The finale is satisfying only on the most basic of levels, with point and purpose left strangely unresolved. ** from ****

Though it has been well over 40 years since I saw "The Yellow Canary," my recollection is that it was a very good movie. What I specifically remember is a stand out performance by Pat Boone. So much so, I did not remember Barbara Eden's part in it. Boone spent most of his movie career in singing roles (e.g, State Fair) and/or more-or-less simplistic teen movies (e.g., "April Love," "Bernadine"). In this film, however, he provided a more than passable effort as a serious actor. It seems unfortunate he did not pursue more such roles, though he may have suffered from management that stifled his potential, much like happened to Elvis and Colonel Tom Parker's control of his career. It would be interesting to see the film today, and find out if the years have enhanced my memory or if, in fact, it's as good as I remember.

I saw this movie when I was just 13 years old, and it scared me to death. I remember that the movie theater had trouble opening the curtain all the way at the beginning of the movie, which only made the whole experience even more bizarre, and it was one of the opening scenes that really freaked me out. I can still see it in my mind today, some 40 years later. From what I remember, I would compare it to "Cape Fear" and "Wait Until Dark" for comparable chills. I suspect that it would play pretty innocently these days, but I would love to see it again just to see how much of what I remember was really there. Anybody have any leads on where to find this, contact me at [email protected].

I agree 100% with Jonboy1 from Texas. Pat Boone gives a very credible performance as the smooth nightclub singer, Andy Paxton. He teams again with Barbara Eden (together first in "All Hands on Deck - 1961?) who plays his wife, and is the "yellow canary" who like the proverbial worm, turns. Jack Klugman, always a welcome presence on screen appears as the probing Lieutenant Bonner. 1950s film luminary, Jeff Corey also makes an appearance. I cannot understand why this film has been canned when many less deserving films appear on DVD. Another of Pat's efforts "Never Put It In Writing" is similarly discarded while the nonsensical "The Horror of it All" is available. Strange! If anyone knows where I can buy a copy, I would be obliged.