Sorry, this movie sucks

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

KICKS is a virtual three-hander about a couple of teenage girls and their obsession with a handsome young footballer. To this end, they arrange to spend a night with the man, only for the ugly truth about him to emerge during the course of a torrid few hours.To be fair, the premise isn't a bad one with plenty of potential for drama and intrigue, but KICKS does nothing with it and the film as a whole soon fizzles out. The low budget is apparent in the poor quality of the performances coming from Jamie Doyle (wooden) and Nicola Burley (no presence). Kerrie Hayes is by far the best thing in this, delivering a real star-making turn, and it's no surprise that out of the three she's the one who's gone on to the likes of TV miniseries THE MILL.In the end, though, it's the almost overwhelming boredom that brings KICKS to its knees. The characters are unlikeable and while there's some fun to be had from the rather nihilistic look at celebrity in the modern age, it all feels weak and afraid to follow through with the set-up. KICKS is one of those films where absolutely nothing happens and you'd be far better off doing something else than watch it.

The premise of Kicks intrigued me. Two girls who obsess over a Liverpudlian football player (Lee) take their obsession too far. It sounded like a cross between The Loved Ones and Misery (which I both love) although I knew it was more of a dark drama than a horror film. However, I believe it would've benefited delving into straight, crazy horror!Kicks does begin with intrigue, it sets up two characters nicely and the Liverpool setting is something different and rarely used in films. I thought the obsession was brilliantly done, often chilling with make-shift tattoos and a picture of Lee under the quilt. I also thought that the characters were explored in-depth and with a sense of ambiguity about them. Unfortunately Kicks lacks the narrative drive that it desperately needed. It begins to ponder after half an hour and once it does look like things are getting thrilling, they quickly become repetitive and dull.The first half is very realistically done, whereas the second half turns into something over the top, which is fine, accept that it presents itself as something believable and so lacked the crazy fun The Loved Ones was able to offer. I believe that it should've indulged itself in horror to make it extremely twisted and more entertaining. Instead the ball runs to a stand-still and you end up feeling as fed up as Lee.The acting is quite shaky with an extremely wooden performance from Lee, but that shouldn't worry you too much. What you must appreciate here is the brilliant central relationship and the message about celebrity culture. My sister has an unhealthy obsession with Helena Bonham Carter and Lady Gaga, making it all the more chilling for me as I believe she would do something like this! However, it does become too far-fetched without making anything fun out of it. It's worth a watch but is unfortunately a piece of wasted potential.

I found this film to be a gripping one. it took some of British culture's stereotypes "chavs" and "wags". and portrayed them as people with depth and culture. globally people will enjoy this film as the roles of gender are examined , and the influence they have on celebrity,longing and teenage humanity. the film is set in liverpool , home of the beatles , a coastal town. ad mist the dysfunction families in the movie is an affinity with the liverpool docks, the movie shows that the heart of liverpool is as much in the docks as it is on the soccer field. all of this is set to a romantic soundtrack by the band "ladyhawke" who add a high quaility soundtrack to the movie. this film is recommenced to people who enjoyed : "monster" ,"the disappearance of alice creed " and even "8 mile "

I noticed this film by chance in my local video rental shop. Directed by Lindy Heymann (who received a British Independent Film Award in 2002 for co-directing Showboy), "Kicks" premiered at the Edinburgh Film Festival in 2009 but was overshadowed by the praise heaped on Andrea Arnold's Fish Tank. It tells of two Liverpudlian girls in their mid-to-late teens who follow everything to do with Liverpool star player Lee Cassidy (Jamie Doyle). Fanatically. Peeking through a high wall to see him training, they progress to waiting for him for hours after matches, hanging around outside his luxury apartment, and breaking into the underground complex where his silver Mercedes is parked.The two female leads are fantastic: Nichola Burley (who will feature in this year's Wuthering Heights) plays the black-haired WAG wannabe Jasmine and Kerrie Hayes the poorer, fair-haired Nicole who is convinced that she is in love with Lee and longs for the famous footballer to rescue her from the depressing limitations and boredom of her life. Where will the two girls' infatuation lead when their heartthrob announces a sudden transfer to Real Madrid? Given the social realist tone of the film, we know that the consequences of their unbridled projections are likely to be bleak.The film's title takes on an extra nuance in some of the final, painful moments. Blending burgeoning sexuality, female friendship and social commentary on celebrity culture and the aspirations of many modern-day British teenagers, it asks us: When does a teenage crush become something more irrational? Where does idolisation end and stalking begin? What could be the consequences of confusing our fantasies with reality? And what are the dangers of the position occupied by celebrities in modern culture and society? In doing so - and this is one of the key positives of Leigh Campbell's screenplay - idolisation is not depicted as static but as a process: Nicole, in particular, goes through a gamut of emotions in the course of her celebrity obsession, shifting from dreamy hope, through disappointment, to a desire for revenge. But the script reveals deficiencies in the second half, especially with regard to the lines given to Lee. The pacing and plausibility falter in the long scene inside the caravan, spoiling the tension in this otherwise superb, energetic film. (8 stars) Extras include an 18-minute featurette with the director and two female leads, along with the trailer.Recommended if you like: Me Without You, Morvern Callar, Fish Tank, My Summer Of Love, This Is England