The Worst Film Ever

Best movie ever!

In truth, there is barely enough story here to make a film.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Without relying on cheesy special effects, this movie is able to tell an intriguing story that is equal parts family drama, murder mystery, and sci-fi thriller. With a plot similar to the horrible Ashton Kutcher film "The Butterfly Effect," this film benefits from two strong female leads (Julie Carlson and Jadin Gould) and spot-on direction. At times, the low-budget constraints show, particularly with the lighting, but the film satisfies on many levels. It doesn't try to add a deep, metaphysical meaning to the events that transpire, which makes it a perfect Sunday afternoon rental. I was pleasantly surprised by this film and look forward to see what the directors do next.

On July 4, 2000, 9 year old Jessie Graver (Jadin Gould) is given a cell phone by her Mother for her birthday so that she can call home. Nine years later, Jessie (Julie Carlson) finds the cell phone, which she has never used, because her Mother died the same day that she gave Jessie the cell phone. On a whim, Jessie calls her old home phone number with the cell phone...And is answered by the nine year old Jessie.So begins Cryptic, a cracker-jack science-fiction thriller which proves that you don't need millions of dollars in special effects to film a great science-fiction movie, at least if you have millions of dollars worth of great ideas.Cryptic succeeds because it pulls a trick out of the Walter Simonson (comic-book writer of Thor) handbook, which is to say it pulls the trigger on the plot. Many films of this type would place artificial barriers in Jessie's way. Cryptic gets out of Jessie's way, allows her to chase her dreams, and then pursues what happens after you succeed in changing the past.Comparisons will be drawn to Gregory Hoblit's Frequency. (Both films are mysteries, both are about lost parents, both postulate that sending people back through time may be impossible, but sending information back through time might be possible) The difference is that Cryptic is simultaneously simpler and more complex than Frequency, avoiding most of Frequency's baroque plot twists in favour of a more organic plot that nests inside of itself like a set of Russian dolls.The more apt comparison is to James P. Hogan's novel Thrice Upon A Time about a group of scientists who discover a way to send information back through time from a computer to the same computer in the past, but only in messages 120 characters long. (Can you change the past with a Twitter message?) The clearest connection between novel and film is that both believe that it is possible to change someone's destiny, but it is impossible to change someone's character.And with a character like Jessie Graver, you wouldn't want to make a change. The entire cast is incredibly strong, but Julie Carlson as the teen Jessie - haunted by her past and Jadin Gould as the young Jessie - bravely facing her present, make the film come alive.Cryptic is a film that will greatly reward those who track it down to solve its puzzles.