everything you have heard about this movie is true.

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

There's some genuinely great acting in this, plus some really strong writing and directing, but ultimately it doesn't quite achieve escape velocity and soar. The ending is just too convenient, and with another pass this script could have been so much more effective. However, it's still definitely worth a watch, despite these failings.

There is an old maxim: "A friend helps you move. A good friend helps you move a body." That's the basis of Favor, a new film from writer/director Paul Osborne (Official Rejection, Ten 'til Noon) that had its world premiere at the 2013 Phoenix Film Festival and won the award for Best Screenplay.The movie begins as its poster suggests. Successful advertising pitch man Kip Desmond (Blayne Weaver) pays a late-night visit to a childhood friend, unemployed couch slouch Marvin Croat (Patrick Day). The small talk is awkward. Kip obviously has moved up in the world and left Marvin behind. And Marvin is self-conscious about it, repeatedly apologizing that he can only offer Kip beer, not scotch.Kip finally gets to the point: He's been carrying on an extramarital fling with a waitress named Abby (Rosalie Ward). Following sex in a motel room earlier in the evening, he says, she started pressing him for some commitment. During the ensuing argument, he pushed her; her head slammed into a nightstand; and she was dead on the floor. Now he's asking his old buddy Marvin – who always was down for anything – to help him dispose of her body.Kip drives Marvin to the motel and shows him the body, then they return to Marvin's house for materials. Marvin says he has a good idea of what needs to be done and tells Kip to go home to his wife because it would be suspicious if he were gone all night. Marvin assures Kip he'll clean up the mess.The first half of the film is somewhat predictable. In the morning light, we see Marvin holding a shovel and staring at a newly filled grave in the desert. A little later, Kip is at home with his wife, Claire (Cheryl Nichols), lying about how busy he is with work and promising to make it up to her. But that's not why he promises to make her breakfast while she showers. He does that because he's glanced out the window, seen Marvin sitting out on the curb and needs her to go a away for a few minutes.Marvin is acting oddly, expressing concern about who will feed the dead woman's cat. Kip just wants him to go away.And therein lies the essence of Kip.He used Abby, who was beneath him in more ways than one, then is concerned only with disposing of her – literally.Now he wants Marvin to go away, telling him they need to lie low and that he'll be in touch in a few days.Marvin agrees, but keeps showing up: at Kip's home; at Kip's office; at Kip's favorite diner. Marvin may be a schlub, but he isn't a fool. He's noticed Kip's lack of empathy for the cat, not to mention for Abby. Kip's only regret is that the incident briefly threatened his executive lifestyle.When Friends Grow ApartMarvin creates an escalating series of dilemmas in which Kip must choose between a lifestyle that has no place for Marvin and appeasing Marvin to protect that lifestyle. I could see this coming because of the movie's basic premise, but at some point the plot veers off the tracks in a dark but powerful way. It strips Kip to the bone, asking him – and by extension the audience – what we value most and what we're willing to sacrifice to protect that.During the post-premiere Q&A, Osborne said one of his inspirations for Favor was the rise of Facebook. The social media platform has led users to retain, or even renew, relationships that previously would have died on the vine.Most of us have that one friend from our past who's never really moved on. We maintain the friendship out of loyalty or nostalgia, even though we no longer have anything in common with the person. We can live with the occasional online update. But what if we found that person sitting on the curb in front of our home?Day does an amazing job of making Marvin relatable even as he grows into a monster, kind of like the plant – "Feed me, Seymour!" – in Little Shop of Horrors. Day is director of the Young Actors Space, a school in Los Angeles for child and teen performers. During the Q&A, he said his biggest challenge in playing Marvin was figuring out how to make the audience like Marvin, at least on some level. Early in Favor, Marvin appears pleased that Kip needs him for something – anything. That gives credibility to the subsequent rage when he realizes just how little Kip values him.Weaver does an nice job as Kip but had less of a challenge than Day. A major point of the film, after all, was the discovery of just how shallow Kip is. For most of the film, he seemed to channel a young, pre-drugs Jeff Conaway (Grease, Taxi, Babylon 5). In the final scene, however, he offers a piercing image of Kip as a man utterly devoid of conscience.Favor may focus on a relationship between strong male characters, but a couple of actresses deliver spot-on performances. Nichols and Christina Rose – as Kip's wife and office assistant, respectively – are strong women puzzled by Marvin's sudden ubiquity, and even more so by Kip's inexplicable indulgence of it. Their portrayals of annoyance and confusion escalate along with Marvin's intrusiveness. In a metaphorical sense, of course, they reinforce social chasm that has formed between the childhood friends. The women are attainable for Kip, but out of Marvin's league.###Stuart J. Robinson practices writing, editing, media relations and social media through his business, Phoenix-based Lightbulb Communications.

Kip Desmond seems like one of those guys who hit the lottery. Prosperous job, beautiful wife, he's just LUCKY. The durability of his luck gets a major test in Paul Osborne's new drama/thriller, "Favor".There's no spoiler alert necessary to tell you the plot of this film. The concept is laid out in the first scene and fires out of the gate from there. The script is streamlined nicely to deliver this plot and not get involved in stray scenes that meander for no reason or jump into side plots that go nowhere.Kip gets what he wants, and what he's wanted for sometime is Abby, a local waitress with whom he's been having an affair. But when things go bad (that bad), Kip ends up going to an old high school friend to help him get rid of the body. The high school friend, Marvin, agrees and…well, let's just say it doesn't go so well. Every attempt to keep the act and the situation clean gets foiled by blackmail, guilt or really bad decisions."Favor" follows the path of good modern day thrillers like "A Simple Plan" and "Blood Simple", apparently, movies with "Simple" in the title. But "Favor" is far from simple. Osborne has created a steady air of "uncomfortable" that permeates each scene as the choices the characters make become darker and more desperate. There's nothing more fun at the movies than watching characters get deeper and deeper in trouble, and there's no shortage of that in "Favor", as the stakes get raised in scene after scene, sometimes to funny, but often to shocking results.Blayne Weaver plays Kip, a fine bit of casting, as Weaver can play weasel quite well. Patrick Day is the casting coup here, nailing pathetic loser who can turn around and be quite conniving. We all know and fear the hell out of the guy he's playing. They all live in our hometown, which is why we left there years ago. Other supporting cast members include Cheryl Nichols, Christina Rose, Rosalie Ward and Jeffrey Combs, but the film belongs to the leads just driving that story home. Again, a film this single-minded is refreshing.The tech elements are consistent. As most indie films are, this is shot digitally, but unlike most indie features which go nuts with the depth of field 'cause "Yay! We can do that now! Just like film!", you're never saying to yourself, "Look at how nuts they've gone with the depth of field 'cause they can do that now. Just like film". Instead, the cinematography serves the greater picture of setting the tone. And the tone is dark. The intangibles are here that always set an indie apart from a major studio picture. As they're intangible, I don't know what they are, but all independent films have them – just…little things that make this film an indie, but I think Osborne's writing shows he could just as easily collaborate with Robert Richardson, Rick Carter and Michael Kahn, so guys, clear your calendars.There's something enjoyable about watching the comeuppance of a white, privileged, entitled guy. I remember this guy Brad Wilkins from my college (yeah, his name was BRAD), and he never thought the rules applied to him. Man, I'd like to see him involved in the quagmire Kip finds himself in. And that's another positive quality of "Favor", you can't really root for Kip, or Marvin (or BRAD). They're pretty repellent guys. But you can't stop watching their story, and you hope the damage they cause doesn't spread.But it does.Enjoy.

When a friend asks you to do a favor, you do it, right? How about helping to cover up an apparent murder? Would you do that favor? That's the situation in "Favor," a dark, intense psychological thriller. Kip, a successful marketing director, and Marvin, an out of work loser, had been friends since elementary school. As they each went in their separate and polar opposite directions, they grew apart. But when Kip's affair went awry, he called the one person he knew he could trust; Marvin. As Marvin cleaned up Kip's mess, Kip was completely indebted to Marvin. How far did Kip have to go before he paid his debt? When is it truly "Even Steven?"This sharp, intelligent, and even at times witty, psychological thriller was unbelievably intense. The twists and turns it took were more wicked and dangerous than Mulholland Dr. on a dark and stormy night. The hole that Kip dug himself got deeper and deeper until you thought there was no way out. I was on the edge of my seat in anticipation of the next move. And when that next move occurred, it was shocking. At times, the inferred violence was a bit much for me, but added to the overall intensity of the movie.Blayne Weaver and Patrick Day starred in this film by Paul Osbourne. Outstanding performances by all! I left the theater in awe. "Favor" is now one of my top psychological thrillers! Beware, there is violence, but if you like intense, smart, unpredictable films, this is one you won't want to miss.