Too much of everything

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This is a gorgeous movie made by a gorgeous spirit.

I watched the trailer and knew that the movie will have something new to offer. The main Lead "Emraan Hashmi" has given another good performance after 'shanghai' beyond his portrayed and perceived image by Mahesh Bhatt's movie. The name itself is catchy and makes audience curious to watch the movie. The plot has its ups and down, Deepak Tojori was seen on the big screen after a long time and then you get to see KK Menon and Paresh Rawal. The Actress 'Humaima' fits the need of the character and do justice to her debut film. This is one movie with no misfits. Everything gels well in the script from starting playful, fun times to the feeling of revenge, simple strategy and execution. The movie also leaves a scope of a sequel , that would be tricky business. The sequel, if comes would be expected to deliver high hopes of the audience. Appreciation for all the directors, as the simple concept was taken to extra-ordinary level. Kudos !

At the base it is the story of a big-hearted con robbing people who had become rich by fraud. But he does not do it for his own profit, he gives it away in charity and things like that. This whole thing looked totally foolish and cheap to me, it is not at all realistic - real people will never do like this. This whole idea of glorifying a criminal and showing him successful is an age-old cheap trick of making money. In my view both Ratwarlal and Wardha Yadav are criminals and the persons from whom Wardha has misappropriated all the money also must be criminals only. It happens just like that in the criminal world ecosystem. There is no point in making one of them a hero and the other a villain. Moreover it is all happening too easily, people are going to South Africa (When they don't have much money), they are setting up fake banks etc. etc. It is just another piece of good guy- bad guy sort of feel good stuff from bollywood. It is too much manipulative. Emraan Hashmi looked odd in the role, compared to him the other guys have performed much better. The songs and background music were irritating to me. The story-line of their campaign was dynamic and at least kept us following. But overall direction was very poor. You will find hundreds of con films much much better than this all over the world. Don't waste your time on this piece of trash.

Con movies are rare in bollywood,good con movies are even rarer.It is a genre that is not attempted much in bollywood.The ones we had were disastrous ones like Cash,Tees Maar Khan etc.The only good ones I remember are Badmaash Company and Ladies Vs Ricky Bahl. So Raja Natwarlal comes as a pleasant surprise.It goes without saying that there are plot holes and the songs could have been avoided but the director has kept the pace of the movie interesting and the climax is well directed and something you wouldn't expect. Emraan Hashmi and Paresh Rawal are superb and look every bit convincing as the endearing con-men. Kay Kay Menon's character is caricaturish but he makes good use of it. Watch out for him in the final scene. Humaima Malick needs to look good and she does that. Mohd. Zeeshan Ayub is good in his cameo.Well I wouldn't call Raja Natwarlal the best film of the year,but it is certainly amongst the most entertaining ones.It is way better the trashy south remakes we get every week in the name of entertainment.

Similar in vein to films such as Snatch, Hustle and Life of Crime; this Emraan Hashmi starer will probably rank as one of his best films and is a welcome uplift after the mediocre Ek Thi Daayan. Hashmi should be applauded for taking risks with films that other much bigger names in Bollywood don't. He may not have the star power of the Khans but, with the exception of maybe Amir Khan, he has recently been willing to experiment with roles a lot more. Here he's paired with Humaima Malick in her first Indian film and she does a decent job as the girlfriend in tow; whatever India's verdict on her debut, she will still have her outstanding lead role in Shoaib Mansoor's "Bol" under her belt. Kay Kay Menon flips form psychotic to ice cool villain at the flick of the switch but, as always, he never fails to deliver and is believable as the rich and corrupt antagonist. The assassin who is hired to kill Raja (whoever the actor is) is excellent despite minimal dialogue and limited screen time. One of South cinema's biggest music directors, Yuvan Shankar Raja, turns in some modern numbers that just may linger; either way, thankfully these items numbers don't detract from the narrative too much. Just suspend disbelief because of course a lot of the twists in the plot are totally implausible but we need to remember, this is fiction with the sole purpose of entertaining the masses. Not an imperfect film but miles better than most releases Bollywood has had to offer in this genre this year.