Very very predictable, including the post credit scene !!!

Good story, Not enough for a whole film

One of the worst ways to make a cult movie is to set out to make a cult movie.

An old-fashioned movie made with new-fashioned finesse.

Character actor Cameron Mitchell gave the performance of his career for co-directors Roland Kibbee and Burt Lancaster in their complicated but intriguing murder mystery "The Midnight Man," co-starring Susan Clark, Morgan Woodward, Harris Yulin, Lawrence Dobkin, Robert Quarry, Ed Lauter, and Catherine Bach. For the record, Kibbee and Lancaster had collaborated before, principally with Kibbee penning screenplays for Lancaster epics, such as "Ten Tall Men" (1951), "The Crimson Pirate" (1952), "Vera Cruz" (1954), "The Devil's Disciple" (1959), and "Valdez Is Coming" (1971). Together, Kibbee and Lancaster adapted David Anthony's novel "The Midnight Lady and the Mourning Man." Considering the abundance of talent involved in this melodrama, "The Midnight Man" should have been a superior whodunit. Indeed, everything about this solidly scripted but formulaic murder mystery is done with efficiency. Kibbee received an Emmy not only for a "Columbo" episode, but he also won one for a "Barney Miller" episode. Kibbee's output ranks as above-average. The chief problem with "The Midnight Man" is the lackluster quality of their action. The events take place at a remote college in South Carolina so nothing that happens can affect the fate of West Civilization. Although the characters are as sturdy as the gifted cast that incarnates them, Kibbee and Lancaster's movie seems mundane despite its narrative strengths.The characters in "The Midnight Man" comprise an interesting group. Burt Lancaster plays Jim Slade; he is a former Chicago cop who served three years in prison because he shot the man that he caught in bed with his wife. This makes him a flawed character searching for redemption. Slade's old friend Quartz (Cameron Mitchell of "Garden of Evil") is a former policeman who heads up the security of a small college, and he gives Slade a job as a night watchman. Susan Clark is cast as Slade's parole officer Linda Thorpe. Ms. Thorpe constantly clashes with County Sheriff Casey (Harris Yulin of "Scarface") over his treatment of her parolees. Casey wears a white cowboy hat, and at times "The Midnight Man" resembles an episode of "In the Heat of the Night." The action unfolds when Slade learns that somebody broke into his office of Psychology Professor Swanson (Quinn K. Redeker of "Ordinary People") and stole three audio cassettes. These cassettes contain monologues from troubled students who recorded them for Swanson so he could listen to them at a later date and counsel them. Slade interviews the three students. One of the three students, Natalie (Catherine Bach of "Thunderbolt & Lightfoot"), dies under mysterious circumstances, and Slade sets out to expose the murderer. Sheriff Casey arrests the most obvious candidate, Ewing (Charles Tyner of "The Longest Yard"), a fire-and-brimstone religious fanatic who has evidence that implicates him in the slaying. Naturally, our hero doesn't believe that the unsavory Ewing could have committed the crime. While Casey is constantly at his throat, Quartz and Slade's parole officer do their best to shield him from the county sheriff.Unraveling the narrative threads of "The Midnight Man" to disclose the identities of the villains would constitute a crime. Slade encounters a number of likely suspects as he searches for the villain that killed Natalie. Meantime, he collides with three grimy, redneck dastards that do their best to kill him. The scene in the barn is terrific, especially when Slade commandeers a tractor to smash through walls and run over his adversaries. The revelations that our hero uncovers distinguishes this movie and virtually everybody is implicated in one way or another. Slade's chief opponent Sheriff Casey winds up being his strongest ally, and Harris Yulin gives a good account of himself. Lancaster was on his last legs as a leading man when he made "The Midnight Man," but he gives another of his ultra-efficient performances, and this movie is a polished affair despite its largely ordinary setting and revelations.

This could easily have been a script leftover in some shoebox from an unmade 1949 noir. It's a complicated story of blackmail and betrayal. Burt Lancaster is an ex-cop just released from prison, given a job by an old friend (Cameron Mitchell) as night watchman at a college, who falls in love with his parole officer (Susan Clark). A murder takes place. Several murders take place. And some of the signs seem to point to the innocent Burt. There's a blackmail plot with lots of money involved. Well, now, Burt may have just gotten out of the slams but he hasn't unlearned the investigative skills he picked up while on the job in Chicago. Fighting against the local cops every inch of the way, he cracks the case, but not to his satisfaction. He's been used and betrayed by everyone he was close to.No one looks out of place. Susan Clark actually looks pretty darned smokin', with her slender figure and queer beauty, a little goofy, like Nancy Travis'. The local cops are villainous. There is a trio of redneck heavies that -- well, they shouldn't look out of place but they do. This was shot in South Carolina, but it's winter, and it doesn't look like the South, whereas these three unkempt miscreants (including Ed Sauter with his working-class New York accent) look like they're straight out of some Southern Gothic slasher movie -- I EAT YOUR HEAD AND SPIT DOWN YOUR NECK CAVITY!!! One is fat, one is scrawny, all are dumb drunks who tote shotguns and pitchforks and allow themselves to be run over by tractors. They even have one of those mean mothers in Bibb overalls and boots who sneers at captive Burt and says, "Wait'll Lem gets back. He'll take care of you proper-like," or something.There isn't a touch of anything original in the direction, the script, the performances, or anything else. Dave Grusin's score is loud and conventional -- lots of electric guitars and harmonicas and nerve-jangling percussion.Nobody seems to have put any effort into it, which is a little surprising, given Burt Lancaster's tendency to see to it that some social message informs his story, or at least that there is the occasional arty touch. But not here. Everything is functional. No tag lines worth remembering. Instead of Burt Lancaster it might as well have been Charles Bronson.Yet I like the thing and I look forward to seeing it on those infrequent occasions when it shows up on TV. I don't know why. I guess the location shooting captures a particular time and place rather well, though for a college in session it looks really underpopulated. I like Burt as a nobody watchman instead of an important muck-a-muck in the justice system. He looks so terribly humble in that shabby uniform. And I kind of like its lack of pretension. Better a crime thriller that knows its limits than a failed attempt at significance.

This is rarely on TV in the UK so I was pleased to catch it one late night as I've been wanting to see it for some time. Burt Lancaster plays an ex cop and an ex con, paroled after a jail sentence for shooting his wife's lover. Taking up a job as Nightwatchman at a University he's soon putting his homicide detective skills back in action after the murder of student, Catherine (Daisy Duke) Bach. Although there's some good outbursts of action and some romance, this is quite a slowly paced thriller that turns out to be an old fashioned whodunnit with a selections of characters to keep you guessing. The outcome without giving too much away involves a blackmail conspiracy where it seems the whole town is involved. Lancaster looks weary but he's likeable as a modern day Sherlock Holmes character with the usual determination of American screen detectives, "once a cop, always a cop" he's told by best pal and fellow ex cop Cameron Mitchell who despite being initially out of touch outsmarts everyone. I love seventies films and I think despite not necessarily being a classic this movie should have more recognition.

After seeing Burt Lancaster in films like THE SWIMMER and SORRY WRONG NUMBER, he is certainly a let down in THE MIDNIGHT MAN. So is the movie. It's two and a half hours long and is a who-dun-it that leaves this viewer thinking, "I don't care who- dun-it. Burt looks tired, as though he'd rather be doing anything but working on this picture. At no point does he manage even a spark of that old vibrant Lancaster attitude. The plot is confusing at best. Burt is a security guard on a college campus where a series of murders take place. He also manages to get a woman 30 years his junior to fall for him. The kissing scenes would make Woody Allen cringe. And the fight scene where Burt beats up two young guys is laughable. Later in his career Burt is cast in some parts that fit the dignity of an older man. He makes a poor imitation of Harry Callahan in this one.This film's only value is as a time capsule for 1974. It has the flavor and atmosphere of a 2 1/2 hour episode of Hawaii Five-O, except not as exiting. Avoid this one my friends. Humpty