An aging salesman is fired from his job after a long career in it. Broken, without much to look forward to, he tries reconnecting with his wife and kids who he had always put down as he dedicated himself to work.
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the audience applauded
Boring
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
I think over time this play will only become greater in its importance. This is an excellent adaptation/performance, Dennehy and Franz are magnificent, in fact the entire cast except for......Ted Koch as Happy. He is awful! I can't believe how much so. He is supposed to be an oily "philandering bum", yet Koch garbles and gruffs out his lines so that he comes across as an actor playing Popeye trying to act like Robin Williams. It sorta ruins the whole thing, as Haps character is so darn critical to the entire story. I will never be able to get past the Lee. J. Cobb performance anyway, but this is very very good. If you saw Dustin Hoffman back in the 80s almost ruin this play, you will be pleased at this revivial.
just secreted a copy of this from ebay (ka-ching) and the direction, heck, the everything, about this production of this american classic is (insert emphatic swear word here) divine...this is the only version i've seen that holds the humor, the madness, the horrifying irony involved in this story...it is just perfect!...Dennehy Rocks (duh!); Franz Rocks: the whole thing is just WOW!!! so good, man...beauty, art, life--showtime? believe it!!!
Poor photography, at least as seen on Showtime, and a rather coy use of close-ups are the only things that spoil this photographed stage presentation. It is faithful to the spirit and letter of Arthur Miller's original script, and it is acted with sincerity and feeling. Willy Loman as victim is presented in straight-forward manner with no attempt to excuse the "system" by hints of madness.
It's hard to get the full effect of how powerful this play is while sitting in one's living room. Death ... is an amazing story that really hits you in the theatre but loses its punch on the smaller screen. The performances are good, and the play speaks for itself however, Ms. Franz is the added bonus of seeing this version.