I love this movie so much

Powerful

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

This film is another adaptation of a classic horror novel by Dan Curtis, the man who pretty much owned TV horror in the 1960s and 1970s. Jack Palance gives a very good performance in the dual role, and this version of the Robert Louis Stevenson novel, although hampered by the TV budget, is appropriately authentic and atmospheric. Dick Smith, the man behind THE EXORCIST, supplies the make-up effects, which are unusual and effective, and some seasoned character actors like Leo Genn and Denholm Elliott work well in support. One stand-out is a young Billie Whitelaw as a prostitute, who receives an 'introducing' credit. The film is slightly overlong at two hours, but the scenes of high drama are effective, and the transformations, although low fi, really work.

This is easily my favorite version of the Robert Louis Stevenson monster tale. Jack Palance is ideally cast as Mr Hyde. He is physically strong, athletic, menacing, and quite vicious when crossed.Legendary make up artist Dick Smith created Hyde's Satanic look. Palance's Dr Jekyll is effective as well.He plays him as socially awkward and uncomfortable with his emotions. An excellent supporting cast includes Denholm Elliot, Leo Genn, Oskar Homolka, and Torn Thatcher. Billie Whitelaw plays Gwyn as sexy,vulnerable and the object of Hyde's sadistic lust.Dan Curtis became a master of Gothic story telling and he gets strong performances from everyone involved. He capture's the look of London in the 1880's with its foggy and gas lit back streets with help from set dresser Fred Brown.Robert Colbert's eerie theme music would later show up in Curtis's Dark ShadowsA chillingly good story and outstanding performances make this one a must for any horror film connoisseur.8 out of 10.

Of the versions personally seen, only one comes close and that's the Frederic March version. John Barrymore's one is also still very good and Burbank Films Australia's animated version surprisingly good too, didn't care all that much for the Spencer Tracy film but even that wasn't too bad. Before seeing this, I would have considered the March film the best version but now it'd be this one. So good in fact that aside from that it was shot in the video-tape way you forget that you're watching that it was made for TV because everything was so well and professionally done. While I would have preferred the camera work to be more expansive, the video-tape didn't really cheapen things at all. The whole adaptation looks great, the lighting has that atmospheric Gothic touch, the costumes are sumptuous and the sets and the way they look make you feel like you're there in Victorian London and with the characters, which is remarkable for a made for TV film to do. London looks so beautiful and evocatively creepy at the same time, and how the fog is done and used really stands out in terms of visuals and atmosphere. Adding a lot also is Robert Cobert's score, which is very haunting without ever being obvious, it's not as spooky as the score he did for 1973's Dracula(also directed by Dan Curtis and starring Jack Palance, which is also worth seeing but not quite as good) but is so in a different kind of way. As an adaptation, The Strange Case of Dr. Jekyll and Mr. Hyde may not be word for word, detail for detail to the Stevenson classic with a few changes and additions but actually all the major details are intact and so is the spirit of the story, and it does this more successfully than any of the other versions. The idea of Dr Jekyll being responsible for the crimes due to Hyde not being a whole person, as heard in Devlin's line "You don't understand, do you? Jekyll deserves to die - he's the one who's responsible, not you", was an interesting angle and came off very well, plus it was entirely plausible. The dialogue is very thoughtfully adapted and is well-written dialogue judging it on its own. The story is very suspenseful, the scariest parts actually being genuinely so, and entertaining at all times, especially with any scene with Mr. Hyde, it was good also that it got straight to the point instead of being bogged down by filler, even more remarkable is that it managed to be loyal to such a timeless and well-known story and make it feel fresh.It is more violent than the other Dr. Jekyll and Mr. Hyde adaptations, but not in a gratuitous way. Curtis' direction is as solid as rocks, and the characters carry the narrative beautifully, the most interesting of course is Jekyll/Hyde but the other characters are hardly given short shrift, Devlin actually is just as much and has some of the adaptation's most memorable lines. The performances from all are terrific, the best in support being a sensual Billie Whitelaw and Denholm Elliot in one of his more sympathetic performances. But it is Jack Palance who walks away with the acting honours, as he rightfully should, managing to make Dr. Jekyll and Mr. Hyde completely different from one another without making Jekyll too mannered or dull or Hyde too over-the-top or completely brutish, both of which is what makes this iconic dual role tricky. He does superbly as both Jekyll and Hyde, loved the refinement and nobility he brought to Jekyll, possibly Palance at his most restrained, but he is even better as Hyde, as well as being one of the most physical and brutal in the role he is also the one that comes off the most genuinely scary and passionate, he hams it up just a tad but actually in this case that was what made the performance fun to watch. Overall, a brilliantly done version of a classic and the best version seen so far. 10/10 Bethany Cox

I remember seeing this one split up over two late nights on ABC in the early 1970s. I was mesmerized and excited; I've longed to see the film again and recently got my chance! As soon as I found out it was available on DVD I bought it. Lots to be nostalgic about here: for instance, that wonderful videotape quality of the visuals (even more vivid now that the thing is out on DVD). Jack Palance hams it up as Hyde: a friend who saw the movie with me said he looked like a muppet during the scene at Tessie's music hall! But his Dr. Jekyll is a brilliant character, full of the best kind of noble suffering that a great tragic hero endures. I loved every minute of it. And Robert Cobert's music--all of which was originally used for the great _Dark Shadows_ series--is more haunting than ever. Any fan of _Dark Shadows_ will love this _Jekyll and Hyde_; and any horror fan should enjoy seeing it, too!