Although it has its amusing moments, in eneral the plot does not convince.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

"Joyride" is an independent 1977 road flick starring the sons of Desi Arnaz (and Lucy) & John Carradine and the daughters of Tippi Hedren & June Lockhart.THE STORY: Three footloose youths, two guys and a girl (a young Melanie Griffith) all around the ages of 18-20, decide to leave their dead-end jobs and travel to Alaska. They have some half-baked plan to become salmon fishermen, but they're more likely just looking for adventure, fun and possibly a sense of purpose. Unfortunately they're forced to pick up other dead-end jobs, including working for the oil pipeline. Desperation leads to crime where they acquire a hostage (Anne Lockhart).I never heard of this film before and took a chance picking it up. I was under the impression that it was a fun 70's car-chase flick like "Eat My Dust" or "Grand Theft Auto." Although it shares aspects of those types of films I was surprised to discover that "Joyride" is essentially a serious road flick, the second half taking on elements of "Bonnie And Clyde." Although this is a fairly low-budget independent film it's quite professionally made. The Washington locations are great and the acting is fine. Anne Lockhart is easy on the eyes and Melanie isn't bad either.I encourage you to read M.G. DaVega's review on Amazon from May 11, 2008, because he accurately points out what may turn some viewers off. The story has a meandering vibe because the kids are living aimless lives. They're not necessarily "bad kids" or unlikable (although they later turn bad via bad choices); in fact, one part of the story shows one of the guys boldly taking a stand for what's right while working security for the pipeline, but it ends up costing them. DaVega rightly argues that the viewer is unsympathetic towards the youths because they increasingly turn to crime as the story progresses. He calls them "half-wits" who do stupid things and engage in unsavory & deplorable acts like shoplifting, public drunkenness, pissing contests (literally), auto theft, breaking & entering, and armed robbery of the pipeline company.DaVega also points out that they (seemingly) learn no moral lesson through their experiences and are not much different at the end than at the beginning.These valid criticisms will certainly turn some viewers off, but I'd like to point out that the events in the story aren't even close to being as morally shocking & appalling as in, say, 1966's "The Wild Angels." Although the characters seemingly learn no moral lesson, the film itself is a moral lesson, not to mention it smacks of reality. I can remember when I was in my mid-to-late teens, living an aimless existence and doing incredibly stupid things, just as dumb and senseless as depicted in this movie. So I can relate to the kids, their situations and foolish choices. Simply put, "Joyride" is a portrait of lost, fallen humanity. The title is sarcastic because the kid's adventure is more laborious and miserable than fun and joyful, not that there aren't any lighthearted moments.The film successfully depicts the meaningless, aimless and darkened nature of life "under the sun," in particularly for those who are unaware of the designs of the Creator, or who simply refuse to seek/acknowledge the Almighty. Read the relatively short ancient book of Ecclesiastes to get my drift.***SPOILER ALERT*** Anyway, the picture ends with the kids getting lost and stranded in the Northwest wilderness, which is reminiscent of that family that got stranded near the Rogue River in Oregon not many years ago.***END SPOILER***BOTTOM LINE: DaVega is wrong to say that anyone who likes this film has "extremely low standards for movies." I can see why the film turned him off, but his objections are based solely on moral grounds. This doesn't mean "Joyride" isn't worthwhile or well-made for an independent 70's flick. On the contrary, the meandering story keeps the viewer's attention (which is pretty much the most important gauge for discerning the worthiness of a picture), and the film itself makes a potent moral point about the fallen nature of humanity. Plus the viewer gets a good glimpse of what it was like to work on the pipeline back then.If nothing else, "Joyride" is worth seeing because it's like traveling back in time to 1977.GRADE: B

Hey, it's Joyride, starring the son of Desi Arnaz, a son of John Carradine, and the wife of Antonio Banderas!Well, these wacky kids could sure pull crimes and escape local bar patrons, business owners and the police with ease, alrightBut there was always ONE horrible thing they could NEVER escape from:All that lousy ELO music!!!Yes, regardless of what state they drove to, what restaurant, bar or car radio that played music, mainly only ONE thing kept blaring out of those poor little speakers:ELO! ELO! ELO!Now THAT was some scary stuff!

The video box for 'Joyride' says "starring second generation superstars", and one can't help but feel sad. Granted, Melanie Griffith has gone on to bigger and better things...but who cares about the rest of the cast? So with that being the pathetic attention grabber on the box I was foolish enough to purchase the film for a dollar thinking I would be in the land of 'so-bad-they're-good 70's films' Eh, not so much. While so many aimless 70's youth films (or plain ol' 70's films for that matter) tried so hard to say something deep and meaningful, 'Joyride' doesn't even try. It's just aimless. It is devoid of any interest whatsoever. Each character is so poorly conceived that it's no wonder these actors look so listless.In a nutshell the movie is about three 20-somethings who go to Alaska to start a business, but instead get robbed and then have to find work. They get beat up, eat dog food, steal cars, rob banks. It's all very typical but on top of that it's executed in the most mundane way possible. There are no surprises and the flow is so bad, and the actions of the characters so ambiguous that you can miss several scenes and not mind at all.But if you're a fan of Melanie Griffith's breasts - then this is a must-see. That's still not enough to get this above the lowest rating I can give.Best Line: "Jesus, everything is biology with you." * out of ****

I just saw this movie and all I can say is, where are the drive in's these days. This seems like it would have been a great 2nd feature at a drive in in 1977 (maybe playing with one of those Joan Collins movies), but it's only worth watching now if you're feeling nostalgic for the 70's. Silly plot that is full of holes, but it does remind one of the era it was made in. Interesting to see Melanie Griffith so young and Anne Lockhart is quite attractive, though not much of an actress. In fact, there is not much acting going on in this movie at all. It's sort of a Dukes of Hazzard adventure without a twang or a 1969 Dodge charger jumping over stuff in the Woods. But there is a Mecrury Comet jumping over a garbage dump in this one!