Claudine is a single mother in New York City who endures an exhausting commute to the suburbs where she works as a maid for wealthy families. In one carefully tended white community, she meets Roop, a charismatic but irresponsible garbage collector. Romance quickly ensues, but Claudine doubts that their relationship is good for her six children, and Rupert, despite his good nature, is reluctant to take on fatherhood.
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good back-story, and good acting
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
I have seen this movie since I was a little girl, and being from New York and remembering how people lived back then brought back a lot of good memories. This movie is not just about wanting a fairy tale ending but understanding the struggles of becoming a better person, woman, and provider Claudine attempted to be. It was about the welfare system putting women in a binding situation. It was about the injustice of a system that invaded and put demands on a family to stay afloat. Diane Carroll was nominated for an Oscar for this role, and it was well deserved. If you want to experience a strong family with conflicting but wonderful bonding moments, enjoy Claudine. Your goal as a viewer is to keep an open mind, and understand the overall frustration.
If this film is examined closely, it's a bit sad. It is detailed enough to touch upon very real problems children, who grow up in poor, dysfunctional environments. Yet, it retains it's comedic value, with spirited performances by Diahann Carroll and James Earl Jones. The sadness lies in the struggles and dysfunction of the mother (Carroll), who cannot truly help her children, not because she doesn't want to, or try, but because, it's obvious she doesn't know how. Remember, this is a comedy, but if you've never seen this, or if you have, watch this film and see the humanity, in the characters. Good film.
This well crafted film stands as an " American classic" in every sense of the word .We have the images of an Afro American family long before Cosby made it fashionable.And this film has the details which make it grittily realistic and believable .Oh! how I love those genuine NYC locations .Though made not so long after the civil rights era peaked, it dose'nt seem dated at all.The cast remarkable ,one must ask what became of these kids.The direction flawless ,James Earl is such a mighty presence in films and here he is young and strong.Watch him fight against the racist system .No doubt this is a movie for everyone no matter the race ,and what is color any way ?? I had seen this a few times but only recently obtained the videotape through sources that I found in the area .We really need more movies like this ,genuine wit , intelligent ,and touching emotions ,maybe our society would be a little better place.
The great film of an early urban afro-american family struggling through hard time and racism, this is an emaculate film. I am in love with this particular classic film because it shows reality, its emotion, its funny, and its a urban fairytale. I read the review by Brian Koller and basically he's saying that the film left him confused and without a plot. Well! I think that what he seemed to have missed was the fact that they did indeed get married, yes! the police did take Charles (Lawrence Hilton-Jacobs) to jail and the family went with him in the wagon to jail right after the wedding. To me that meant that the family was sticking together, no matter what the problem or finances were. Also I love the sound track performed by Gladys Knight and the Pips, titled "On and On". I would love to purchase this film, every time it comes on TV, I miss it. This film is truly a classic and should be in every afro-americans home. I wish somebody had some information for me about purchasing this film......Iama