Up-and-coming Universal leading man Robert Stack made his western-movie debut in Badlands of Dakota. Set in the Dakotas during the days of the Great Gold Boom, the story finds brothers Jim and Bob Holliday (Stack and Broderick Crawford) dukeing it out over the affections of pretty Anne Grayson (Ann Rutherford). While all this is going on, Wild Bill Hickok (Richard Dix) does his best to neutralize the local criminal element-and to fend off the romantic overtures of boisterous Calamity Jane (Frances Farmer).
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A lot more amusing than I thought it would be.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
A clunky actioner with a handful of cool moments.
1941's "Badlands Of Dakota" is a higher budgeted 'B' Western from Universal, with a fascinating cast. Top billed Robert Stack gives the least interesting performance (not really his fault), as Jim Holliday, freewheeling brother of tough saloon owner Bob Holliday (Broderick Crawford); when Bob finds that his girl back east (Ann Rutherford) has decided to marry Jim, he falls in with Deadwood villain Jack McCall (Lon Chaney), whose gang commits raids disguised as native Indians. Of greater interest are the supporting players, Richard Dix as Wild Bill Hickok, and especially Frances Farmer as Jane (minus the 'Calamity'), who carries a torch for Bob, and must play a part in his downfall. With Hugh Herbert, Andy Devine, and Fuzzy Knight, we have an abundance of comic relief, and future Frankenstein Monster Glenn Strange is among Chaney's gang. Broderick Crawford and Hugh Herbert were coming off the comic Poe "The Black Cat"; Chaney and Crawford would work together again in "North to the Klondike," "Not as a Stranger," and "Big House, U. S. A."; Richard Dix soon reunited with Chaney in "Eyes of the Underworld." But in this film, no one can steal the thunder from Frances Farmer, whose commanding presence and captivating beauty prove to have been unique and unforgettable.
Robert Stack (Jim) is the wimpy younger brother of Deadwood saloon owner Broderick Crawford (Bob) who sends him to bring Ann Rutherford (Anne) from another town so that Crawford can marry her. However, on the journey back to Deadwood, Stack and Rutherford fall in love and marry. Guess what - Crawford isn't too happy about this! Crawford plans his revenge and gets brother Stack elected Marshall of Deadwood while he joins up with the town's bad guys and takes part in a couple of robberies. At the end, we have an Indian attack on the town of Deadwood and the inevitable confrontation between the brothers.The quality of this film is poor and unfortunately, the story drags. It's not very interesting. Frances Farmer (Jane) and Richard Dix (Wild Bill Hickok) are wasted in this film. The emphasis should have been on these two characters and Crawford rather than the sickeningly bland relationship between Stack and Rutherford. The film picks up pace at the end with the Indian attack but it's too late to save the day. It's a shame because given the cast, the film promises more than it delivers, apart from the comedy characters who are always annoying. In particular Andy Devine's irritating voice - he sounds like he has got a frog permanently in his throat. CLEAR YOUR THROAT BEFORE TALKING. Don Barclay as the drunk is another low-point - please get him off the screen, he's not funny.The 2 leads in this film fail to excite the audience and this, coupled with the poor quality, results in your mind wandering off to more interesting places.
The plot is simple: It's based around 1876 in South Dakota and the Custer/Wild Bill Hickok events. Farmer plays Calamity Jane, although they never use the tag "Calamity" when speaking to or about her. One varied notice from other films, she's not in love with Wild Bill in this one but a saloon owner (Broderick Crawford) and then winds up killing him.This is a typical early day Western with lots of shootin', ridin', Indians, outlaws, and, of course, duo love interests which rival each other. It's a really good Western based upon that and comes even with some comedy (Andy Devine). It was well worth the money I paid to get it and I will certainly watch it again later.I won't speak about the historical points because, although there are a few of them (such as Wild Bill getting killed) they are not anywhere close to accurate.Rather, I bought the video because it had Francis Farmer in it. I'd never seen a movie with her until yesterday when I viewed two of them. I was most curious about this beautiful woman whose mother had her mutated.I gave this movie an 8 simply based upon Francis Farmer's acting in the movie. She was a great actress. I say that now based upon viewing two of her films this past week (Son of Fury). Criminals, like those who did what they did to this wonderful woman ought to be damned but time has taken them, as well as she, from our presence so we can. I notice she only made 15 films before they cut her brain. I would have loved to have seen more movies with her and, no doubt, had they not had their way, she would have made many more.
Like a number of his earlier works, Badlands of Dakota assisted Broderick Crawford to develop the pained, overachieving Willie Stark he so absorbingly played in ALL THE KINGS MEN. The warpaint he occasionally dons does detract from the seriousness of his delivery but with plot twists like the finale, the paint probably was a welcome cover for his embarrassment. What I did like about the film was the restrained performance of Richard Dix as Wild Bill Hickok and the raw and bitter characterization of Calamity Jane by the exquisite and doomed France Farmer. The film is worth the time spent watching it if only to watch Farmer's swaggering scenes and to hear her deep and soothing voice.